Longtime fans will naturally savor Codrescu’s idiosyncratic ambling and real-life reflections. New readers will find...
Poet, essayist and novelist Codrescu (Whatever Gets You through the Night: A Story of Sheherezade and the Arabian Entertainments, 2011, etc.) examines the oft-sensationalized “death of print” and redefines its place in the bigger picture of literary history.
Part cultural critique, part portrait of the artist as a young literary revolutionary, the author’s latest is a mature look at the rise of e-printing from the vantage point of someone who has already experienced, and survived, a number of technological revolutions. Codrescu recounts his growth as a writer, from his childhood in Romania to his tenure as a professor at LSU, tracing his journey through the “archives” of his life, which frequently spill over into footnotes. These footnotes go on for pages, offering insight into autobiographical and historical information that literally surrounds the primary body of text. Readers may ruminate on the footnotes as a simultaneous representation of old-fashioned marginalia at its finest and a Wikipedia-like informational hall of mirrors. Or, thin on patience, they may ignore them altogether. Codrescu’s self-proclaimed “referential injoking” may try that same patience, but what elevates the author’s argument is his understanding that what technology has actually defeated isn’t writing or publishing (if anything, there’s more of both of them than ever); it’s “the flaws, the failures, the typos, the sweat, the traces of the human on the material,” the works and remnants that ground a text in a real, flawed world. The pixelated kingdom, Codrescu observes, is highly ordered and smudge-free, occupying neither space nor time, like a virtual vapor that leaves no sensual trace for future generations of scholars and readers to study and treasure.
Longtime fans will naturally savor Codrescu’s idiosyncratic ambling and real-life reflections. New readers will find philosophical nuggets after some digging.Pub Date: Nov. 29, 2012
ISBN: 978-0-9838683-3-0
Page Count: 168
Publisher: ANTIBOOKCLUB
Review Posted Online: Sept. 24, 2012
Kirkus Reviews Issue: Oct. 15, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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