Next book

THE MUSE IS ALWAYS HALF-DRESSED IN NEW ORLEANS

Codrescu—never one to write for readers who, as he pegs them, "know what to expect from writers who know what they...

Essayist and editor, poet and professor, columnist, novelist, radio commentator, scriptwriter, translator, and all-round man-of-letters Codrescu (Road Scholar) presents his latest collection of essays.

The subject matter ranges from the mood in the author's native Transylvania (not great) to the mood in his adopted home, New Orleans (wonderful), and back to the food in Transylvania (bad). (Perhaps not since the great Aaron Lebedeff forsook the stage has there been such Romanian angst displayed this side of the Atlantic.) And there's more, of course: an obligatory ode to baseball; an offbeat interview with Robert Duvall, in which Duvall gets his due; and an unfocused, but affecting, talk about photography. A man of passionate insight and irony, Codrescu pulls it off with unrestrained style and pungent wit. He considers running for exercise to be a sacrilege: Running is "an extremely serious response to Cossacks chasing you with whips.'' Occasionally, the reader may not know where it's all going, but would be well advised nonetheless to stick with the recondite ambiguities while the author reviews a movie that virtually no one has seen, or deconstructs a literary journal that next to nobody in America has read. The trip is worth it.

Codrescu—never one to write for readers who, as he pegs them, "know what to expect from writers who know what they expect''—has cobbled together another interesting and generally entertaining fabrication, displaying an America occasionally shadowed by his former compatriot, Count Dracula.

Pub Date: July 21, 1993

ISBN: 0-312-09354-3

Page Count: 208

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1993

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 93


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 93


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview