A vivid evocation of the conflict between reason and spirituality.
A skeptical lawyer wrestles with a crisis of faith—gaining it, not losing it—as he discovers his own possibly supernatural powers in this debut novel of ideas.
Will Alexander is leading a mediocre, hollow life as an attorney for a Manhattan law firm when he meets Erica Wells, a social worker who incorporates New Age mysticism into her practice. He’s smitten by her green eyes; she’s smitten by his green aura, which only she can sense. Will takes Erica’s disparagement of Western evidence-based medicine in favor of “universal healing and energy”—featuring detoxification, herbal supplements, and regression therapy—for so much nonsense. But he puts up with her eccentric enthusiasms for the sake of her passion and vibrancy. But then, during a chance encounter, Will, with no effort or intention, apparently cures a legal client of an anxiety disorder. Others seek him out: He dispels a tech mogul’s fatal neurological ailment with a few minutes of meditation and sends an old man’s cancer into remission during a night of drinking. Will is nonplussed by all this: He doesn’t feel like he’s doing anything to cure people and thinks his successes might be a placebo effect or pure coincidence. Still, word of mouth creates demand for his services, so he sets up shop as the world’s most diffident healer, warning patients that he claims no special powers and makes no promises and telling them not to pay him unless they feel like it. Will’s self-disparagement perversely inspires trust, and his practice thrives—and makes him a target of a cynical investigative journalist intent on proving him a fraud. Himmel’s entertaining novel is on one level a fine comedy of ideological manners. Much of it unfolds in funny, awkward dinner-table conversations as Erica floats her ardent mystical beliefs and dares her dubious companions to mock them while they search for ways to steer the conversation to safer waters. The author’s sharply etched characters and smart, observant prose shrewdly capture the ways people think and talk about religious and philosophical issues. “I was always struck by how he managed to marshal an articulate discourse in defense of shallow insights,” Will muses of one blowhard, and he calls the earnest, didactic New Age tomes Erica presses on him “Soviet propaganda without the charm.” But the tale takes Will’s hangdog spiritual quest seriously while avoiding the clichés of New Age fiction. There are no revealed certitudes, no channeling of omniscient beings from the astral plane. Will remains a flawed, neurotic man torn between his lawyerly devotion to evidence and logic and the haunting, ambiguous glimpses of supernatural forces that intrude on him. He is perpetually in doubt about whether his abilities are real or just luck and hopeful figments of the imagination—especially when they fail. And they work no miraculous healing in his own life. His new calling often feels like a drag and leads him into a serious ethical lapse; what enlightenment he gains comes through painful experience and self-examination rather than clairvoyance. As he grapples with metaphysical mysteries, even dyed-in-the-wool skeptics should find his struggle compelling.
A vivid evocation of the conflict between reason and spirituality.Pub Date: Oct. 8, 2018
ISBN: 978-1-62634-530-0
Page Count: 312
Publisher: Greenleaf Book Group Press
Review Posted Online: Sept. 7, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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