Despite the too-neat Freudian implications of Mary Rose’s story, this is an affecting, multilayered account of domestic...

ADULT ONSET

Assaulted by mysterious pains and bracketed by painful childhood memories, Mary Rose MacKinnon engages in power struggles with her willful toddler and endures the stresses of stay-at-home parenting while her partner, Hilary, is out of town.

An acclaimed young-adult novelist, Mary Rose is suffering from severe writer’s block, unable to complete the third volume in her popular series. Despite the surface comforts of life in her liberal, upper-middle-class Toronto enclave, she feels an inexplicable sense of alienation from her environment; she distances herself from the other mothers at her child’s preschool and avoids communication with her own parents, despite their belated acceptance of her homosexuality and loving acceptance of Hilary and their grandchildren. When Mary Rose’s charming Lebanese mother, Dolly, was younger, she had numerous miscarriages, stillbirths and babies who died shortly after birth, and she seems to be fixating on this tragic period many decades later. The effect of this sad legacy on family dynamics has never been fully explored, and Mary Rose has many vague, unspoken questions about her own childhood, the answers to which might help explain her emotional paralysis and phantom arm pains, as well as the mysterious bone cysts she suffered as a young girl. MacDonald (The Way the Crow Flies, 2004, etc.) integrates three narratives into this novel—Mary Rose’s mundane day-to-day existence, Dolly’s experience of severe depression as a young mother lamenting her lost babies, and Mary Rose’s novels, which parallel elements of her own family story distorted through the lens of teen fantasy fiction. While clever, the novel within the novel seems a bit forced. There is a recurring theme of impostors and doppelgängers and a shrewd twinning motif, but the reader is always conscious of the writer’s craft. Of the three, Dolly’s story is the most naturalistically and sensitively portrayed.

Despite the too-neat Freudian implications of Mary Rose’s story, this is an affecting, multilayered account of domestic ennui and the painful effects of long-held secrets on three generations.

Pub Date: April 14, 2015

ISBN: 978-1-941040-05-8

Page Count: 400

Publisher: Tin House

Review Posted Online: Jan. 22, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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