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FALL ON YOUR KNEES

From award-winning Canadian actress and playwright MacDonald comes a full-bodied, ever-rolling debut, the story of a talented Cape Breton family with more than its share of repression and tragedy. As the 19th century ends, young James Piper travels from the Breton hinterland to the civilized port of Sydney seeking his fortune, and in no time at all he acquires a child bride, a house built by his Lebanese father-in-law, and the everlasting enmity of his wife's powerful family. Although the ardor between James and his spouse soon cools, they now have a daughter, Kathleen, who seems destined for great things when her breathtaking voice and beauty begin to captivate all as she enters her teens. But another shadow falls on the family when James finds himself making improper advances to her. Appalled, he patches things up with his wife (two more daughters being the result), goes off to fight in WW I, and sends Kathleen to New York to study voice after he returns. All still isn't well, however, when she comes home pregnant six months later, then dies in childbirth when Mom slices her open to save her daughter's twins. One of them dies anyway, followed two days later by Mom, who commits suicide. James is left with three girls to raise, all of them scarred for life by the crisis: The newborn contracts polio when her aunt Frances, a child herself, tries to baptize her in a nearby creek; Frances is raped by James in his grief at losing Kathleen; the eldest, a witness to the rape, is also the one to find her mother's body. Such awful events, though quickly repressed, bode no good for the family, and ultimately tragedy overtakes them all. A plate piled dangerously high with calamities, perhaps, but the time, place, and people- -especially the children—all ring clear and true, making for an accomplished, considerably affecting saga.

Pub Date: April 1, 1997

ISBN: 0-684-83320-4

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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