On the eve of the American Revolution, as war approaches, Sarah Revere's father, Paul, is often away from home as he rides from town to town warning the militias about British troop movements and deployment in the region. Close family friend Dr. Joseph Warren watches over the large Revere household, but Sarah suspects that his interest in her attractive stepmother, Rachel, is more than friendly. She confronts him, but Dr. Warren is so hurt and angered by Sarah's suspicions that a rift is created. When the doctor goes into battle Sarah realizes that she may have misjudged him and cries out for forgiveness, never certain that he granted it. After determining that her actions were just a cover for her own unseemly feelings for him, Sarah is devastated by what she has done, and even more devastated by news of the doctor's death in battle. As usual, Rinaldi (Finishing Becca, 1994, etc.) has done her homework; the book is solidly researched and extremely well written. Readers will not soon forget these characters, whose actions and passions illuminate and enliven a historical era about which they may have heard much, but understood little. Vivid in the best sense of the word. (Fiction. 12+)
Pub Date: Nov. 1, 1995
ISBN: 0-15-200393-2
Page Count: 320
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 1, 1995
Categories: TEENS & YOUNG ADULT HISTORICAL FICTION
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When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important. (Fiction. 12+)
Pub Date: March 14, 2006
ISBN: 0-375-83100-2
Page Count: 512
Publisher: Knopf
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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A century before the events of Clare’s Mortal Instruments trilogy, another everyday heroine gets entangled with demon-slaying Shadowhunters. Sixteen-year-old orphaned Tessa comes to London to join her brother but is imprisoned by the grotesque Dark Sisters. The sisters train the unwilling Tessa in previously unknown shapeshifter abilities, preparing her to be a pawn in some diabolical plan. A timely rescue brings Tessa to the Institute, where a group of misfit Shadowhunters struggles to fight evil. Though details differ, the general flavor of Tessa’s new family will be enjoyably familiar to the earlier trilogy’s fans; the most important is Tessa’s rescuer Will, the gorgeous, sharp-tongued teenager with a mysterious past and a smile like “Lucifer might have smiled, moments before he fell from Heaven.” The lush, melodramatic urban fantasy setting of the Shadowhunter world morphs seamlessly into a steampunk Victorian past, and this new series provides the setup for what will surely be a climactic battle against hordes of demonically powered brass clockworks. The tale drags in places, but this crowdpleaser’s tension-filled conclusion ratchets toward a new set of mysteries. (Steampunk. 13-15)
Pub Date: Aug. 31, 2010
ISBN: 978-1-4169-7586-1
Page Count: 496
Publisher: McElderry
Review Posted Online: July 1, 2010
Kirkus Reviews Issue: July 1, 2010
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