Exploitative and sad.
Bestselling true-crime specialist Rule (Bitter Harvest, 1998, etc.) certainly has her fans, but here her leering, hyperventilating style is merely distasteful. The story at its center is tragic. Sheila Bellush met handsome, slippery Allen Blackthorne, fell in love, and married him when she was much too young. Allen turned out to be trouble. He beat her, he cross-dressed, he ripped off her parents and everyone around him. Eventually, Sheila got away, but years later Allen tracked her down and had her murdered; he was caught, convicted, and went to jail. In between, Allen became a millionaire, Sheila had quadruplets, they both remarried, and everyone moved to San Antonio. Rule doesn’t omit a single tawdry detail; between the two of them, Allen and Sheila have so many dissipated relatives and face so many assorted disasters that it’s impossible to keep them all straight. Any sense of reality gets lost in this bloated, exaggerated, highly condescending retelling, which reads less like nonfiction than the script for a made-for-TV movie. Rule’s claim that Sheila’s sister sought her out and told her Sheila had wanted her to write about the case seems, to put it mildly, self-aggrandizing.
Exploitative and sad.Pub Date: Oct. 15, 2001
ISBN: 0-7432-0296-1
Page Count: 352
Publisher: Free Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2001
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...
A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.
In 1981, Sebold was brutally raped on her college campus, at Syracuse University. Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty. When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised: “Try, if you can, to remember everything.” Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction. Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence. Sebold casts a cool eye on these facts: “The cosmetics of rape are central to proving any case.” Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself. Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me. A world of violent crime.” Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues. The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.Pub Date: Aug. 1, 1999
ISBN: 0-684-85782-0
Page Count: 240
Publisher: Scribner
Review Posted Online: Jan. 2, 2011
Kirkus Reviews Issue: June 1, 1999
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The Atlanta child murders comprise the starting point for this virtuoso polemic against racism in America. Baldwin writes bluntly: "Others may see American progress in economic, racial and social affairs—I do not." It is this distinctive Baldwinian voice of outrage that powers his penetrating examination of why color still divides America. Baldwin thinks that Wayne Williams, the black man accused of the murders of 28 black children over a 22-month period, was railroaded. No matter that his conviction was presided over by a black judge in a Southern city governed by a black mayor. Williams was prosecuted under intense pressure to close a case that might tarnish Atlanta's reputation as a "city too busy to hate." A black administration's presence, says Baldwin, did not change the fact that the legal system served the commercial interests of a booming Southern city. To consider this only as an issue of class, contends Baldwin, is a denial by blacks and whites alike of America's legacy of slavery. He writes that ". . .this country, in toto, from Atlanta to Boston, to Texas to California, is not so much a vicious racial caldron—many, if not most countries are that—as a paranoid color wheel." By sketching the emergence of the black middle class and its complicity in maintaining the "white" rules, and the white flight from the city to the suburbs—leaving a mostly black, impoverished city. Baldwin describes how the wheel goes round. And its consequence remains: How do you become "white" enough to get up and out of the ghetto? Ironically, it was the rage of the parents of the murdered children that set Atlanta's color wheel spinning. Once they provoked national attention, according to Baldwin, the pressure to solve the crimes began. Until then, no one was ". . .compelled to hear the needs of a captive population."Baldwin delivers his judgment in cranky, idiosyncratic exposition that links the state of race relations with the prosecution of Williams. He details the official maneuvering that brought Williams to trial and the extraordinary legal decision to charge him with the murders of two black men, but permit the accusations and evidence of all the children's murders to be discussed at his trial. Baldwin has penetrated a sensational crime with his considerable novelist's skill for seeing things the rest of us don't. In the process, he's delivered a stinging indictment of racial stagnation.
Pub Date: Oct. 28, 1985
ISBN: 1568495757
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1985
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