The story's structure is too loose to be compelling, but newcomer Enright's lyrical language bespeaks her talent.
This Irish writer's American debut offers stunning images, though not enough story to make the evocative language truly resonant.
In 1965 Dublin a baby is born and a mother dies. What follows is over 20 years of fractured narrative as the girl grows up, the widower remarries, and a shocking secret is revealed. Taking time off from pursuing her engineering degree to live in New York, 20-year-old Maria falls in love with a man with a past-perhaps her own past. Innocently rummaging through his things one day, Maria finds among his possessions a picture of herself as a young girl, wearing clothes she's never owned and standing among people she's never met. Soon the mystery is resolved: The baby who was born was actually twins whom their distraught father Berts carelessly separated, choosing Maria, while Marie, renamed Rose, is adopted by an English couple living in London. As Enright flip-flops between Maria and Rose, the two women, so emotionally similar, grow up, choosing different though often parallel paths. The novel's haunting, albeit distant prose shines when describing the sensations of their mother Anna, pregnant and dying of a brain tumor, as she puts ketchup in the sugar bowl, and to her ailing mind the "sound of a tap dripping smel[ls] of roses." But far too often the narrative keeps Maria and Rose at arm's length, and the digressive revelations about middle-aged adulterer Berts, his new wife Evelyn, and Anna speaking from beyond the grave only widen the distance between the reader and the twins' unnamed heartache. Slowly the two sisters inch towards each other, but the final reconciliation of twin strangers isn't enough to save the meandering plot.
The story's structure is too loose to be compelling, but newcomer Enright's lyrical language bespeaks her talent.Pub Date: Sept. 1, 2000
ISBN: 0-87113-816-6
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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