Girl meets boy, becomes a vampire, and learns the ways of the undead in this entertaining but familiar tale.


A newly born vampire navigates the ins and outs of the supernatural world in this series opener.

Pandora Todd is a bit of an odd duck. While living a seemingly normal life in California, she experiences an occasional “episode” or two. Like the time her dead grandmother wakes up in her coffin and speaks to Dora. But life gets especially strange when Dora joins the ranks of the undead. She is shot and killed by an unknown assailant outside a bar in Los Angeles. Luckily, a handsome vampire named Remy (whose protective nature, age, and skill set recall numerous other literary vamps) is on hand to bring her back to life. Thus, Dora’s new journey begins. Under Remy’s tutelage, she learns the ways of the supernatural world. There are werewolves, witches, zombies, and a governing body known as the Order that keeps everyone in line. But as Dora and Remy quickly discover, she isn’t your run-of-the-mill vampire. She is also a necromancer who can raise the dead and create zombies of her own. But there’s another necromancer lurking in the shadows, an unknown threat that Dora and Remy can’t quite figure out. Wahlin (Thirteen Offerings, 2015) does a nice job creating Dora’s world and building a society of supernatural creatures who roam the streets largely without human knowledge. Some of the more humorous moments in the narrative are thanks to the author’s clever juxtaposition of the excitement and adventure of becoming a vampire with the decidedly less sexy reality of everyday life. In addition to learning how to feed off humans and control her superstrength, Dora still needs to find a job. The decision to make Dora a necromancer is also a good one. It’s a nice twist in an otherwise standard vampire tale. The vamp romance, interactions between the living and the dead, and a score of supernatural beings have been well-explored by characters such as Stephenie Meyer’s Edward Cullen, Charlaine Harris’ Sookie Stackhouse, and others.

Girl meets boy, becomes a vampire, and learns the ways of the undead in this entertaining but familiar tale.   

Pub Date: Nov. 12, 2018

ISBN: 978-1-5335-6619-5

Page Count: 536

Publisher: CreateSpace

Review Posted Online: Oct. 10, 2019

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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