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Dwight’s wholesome love for his family and friends, and the life lessons they’ve offered, makes for an engaging account of...

In this inspirational memoir, Dwight transforms everyday lessons into essential wisdom.

Dwight, an inspirational public speaker and life coach, compiled this memoir from 50 mini essays, but it’s really a book of tiny epiphanies. Through intimate interactions with family and friends—he’s twice married and the father of three teenage daughters—Dwight experienced deeply significant life lessons that belied their simplicity. His disarming sincerity and gentle humor serve to smooth the ordinary friction of relationship-building. In one particularly illuminating essay, Dwight relates his suggestion to his daughters that they ignore their personal electronics for a weekend to experience how tech-free time could enhance their face-to-face social interactions. Dwight puts himself to the same test—he discovers, somewhat surprisingly, that he had forgotten the value of direct human contact beyond the glowing rectangles that now possess our lives. That lesson resonates in his description of his church’s mission to the Dominican Republic, where he marvels at the simple joy experienced by people in material poverty but with psychological and spiritual contentment. In this midlife perspective, Dwight pays tribute to all the people who inspired him, especially his second wife. The closing portion of the book is a hymn of praise for his spouse—he proudly details the upward trajectory of her military career that culminated in her appointment as a rear admiral in the U.S. Navy. His pride assumes added gravitas since, as a former Marine, he recognizes the formidable challenges inherent to military service. While written in a highly readable style aimed at a mass audience—references to popular films abound—readers may be surprised by the frequent steps out of Dwight’s chronology. People and events scramble through Dwight’s narrative, which could leave readers lost and in need of a simple timeline of his life. Yet that complaint fades if the book is considered not a conventional memoir, but a random set of inspiring, character-building moments.

Dwight’s wholesome love for his family and friends, and the life lessons they’ve offered, makes for an engaging account of one man’s life well lived.

Pub Date: Oct. 29, 2011

ISBN: 978-0983941804

Page Count: 224

Publisher: Tagral

Review Posted Online: Feb. 3, 2012

Kirkus Reviews Issue: March 1, 2012

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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