by Babe Walker ‧ RELEASE DATE: April 29, 2014
Pithy, entertaining, inconsequential.
Fictional author Walker is back for more privileged and outlandish adventures in this follow-up to White Girl Problems (2012), the faux memoir based on her Twitter feed.
25-year-old Babe is fresh out of rehab. Having theoretically recovered from a shopping addiction (her flippant tone suggests otherwise), she returns to LA to take up residence in the luxe guesthouse on her father’s property. But Babe’s plans of being Zen, wearing only vintage and drinking only juice are interrupted immediately. Her closest friends throw her a raucous, unwanted welcome party (and have the audacity to have gotten on with their lives in her absence), a creepy, violent message shows up in black lipstick on her bathroom mirror (so not chic), and she reconnects with the recent love-of-her-life, Robert, who previously took out a restraining order on her. That’s because Babe’s love for Robert brings out her alter ego, Babette, a tacky, needy, marriage-obsessed binge eater, who promptly makes herself known again. Babe runs away to Paris to reclaim her true self, the unrestrained consumer of designer clothes and rosé wine. When the lipstick stalker strikes rather obviously again, Babe keeps running across Europe, having outsized, near-slapstick episodes along the way, all of which involve some combination of booze, drugs, shopping and graphic sex. The clueless rich girl is always a tricky heroine to root for, and Babe is no exception. She's both refreshingly egotistical and childishly shallow. She sometimes seems genuinely psychologically delicate, but Babette is grotesque and hard to credit. Considering Babe’s start as a Twitter feed, it's unsurprising that the book amplifies humorous antics and intense snobbery, but it comes at the expense of the sympathetic or the real. Without much resembling a conscience, Babe is a long way from her predecessors: Austen’s Emma or her more modern equivalent, Cher Horowitz.
Pithy, entertaining, inconsequential.Pub Date: April 29, 2014
ISBN: 978-1-4767-3415-6
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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by Babe Walker
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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