A pop-culture send-up with a troubled material girl anti-heroine. Although wickedly funny at times, this odd debut takes a...
Poor little rich girl Babe Walker hits rock bottom during a Barneys shopping spree in this faux memoir based on a popular Twitter feed.
In a town (Los Angeles, naturally) filled with the chronically self-absorbed, Babe stands out. The precocious only child of a wildly successful British entertainment lawyer and a long-absent mystery woman, Babe is raised for the most part by her Jamaican nanny, Mabinty. Mabinty smokes a lot of weed and speaks with an exaggerated patois—or at least she does in Babe’s point of view, which is none too reliable. Diagnosed with narcissistic personality disorder at the tender age of 7, Babe has serious boundary issues. As a sophomore, she plots to lose her virginity to her gay best friend Roman (while they are dressed as Danny and Sandy from Grease). In her teens she lobbies a series of befuddled plastic surgeons for a labiaplasty, insisting that her vagina needs to be “cute and chic-er and more…me.” She steals her file from her longtime therapist, Susan, and goes to five different colleges before deciding academia might not be her thing. And when she does meet a nice guy who actually likes her, she transforms into her alter ego Babette, a slutty stalker with an unfortunate taste for tacky chain restaurants. Showing some aptitude for fashion, Babe is understandably devastated when her line of high-end dashikis for African children fails, and soon after that another romantic disappointment triggers the mother of all retail binges. After spending a cool $246,893.50 at Barneys, she cops to needing some help and sends herself to Cirque Lodge, a Utah rehab facility. Once there, she resists actually changing but manages to bond with an alcoholic former model who might actually hold a key piece to the puzzle that is Babe.
A pop-culture send-up with a troubled material girl anti-heroine. Although wickedly funny at times, this odd debut takes a shallow, cavalier attitude toward mental illness, anorexia and addiction.Pub Date: Jan. 31, 2012
ISBN: 978-1-4013-2454-4
Page Count: 288
Publisher: Hyperion
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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