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KIPPER'S GAME

Strikingly somber first novel from essayist/social-commentator Ehrenreich (The Worst Years of Our Lives, 1990, etc.), who makes full use of her Ph.D. in biology to create an America on the edge of environmental ruin and anarchy—where doomsday prophets and powerful corporate entities vie for control. The suburban family of Della Markson is shattered as the story begins: her husband deserts her after having driven their brilliant, brooding son Steve to disappear the year before. Della pulls her life together by getting a job at the sprawling, decaying Human Ecology Complex, where Steve, better known by his computer name Kipper, worked before he vanished, and slowly begins to gather information about him and the extraordinary game he was developing. She also meets her former professor Alex, a rumpled scientist with a serious drinking problem and no future, who has been ordered to prepare the biography of an obscure neurobiologist affiliated with a group of WW II Nazi scientists who researched the link between human mental capacity and the brain's pleasure center, using Jews as guinea pigs. Kipper's game turns out to accomplish similar goals, causing Della's and Alex's paths of inquiry to converge, but their steps are dogged by shadowy figures intent on gaining the information they seek for other purposes—figures from whom Kipper has escaped without telling them what he knows. When Della is finally reunited with her son, it's a brief, furtive event that culminates in his death, as well as her husband's, but not before Kipper safely passes on his knowledge to someone who might make good use of it. Complex and convincingly bleak, but more a novel of social and philosophical ideas than a technothriller—and generally lacking the sharp dramatic edge that would appeal to a wider audience.

Pub Date: July 1, 1993

ISBN: 0-374-18155-1

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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