An extended valentine to an actress we've all fallen in love with at least once. While many actors fail to live up to their publicity, Audrey Hepburn seems, by all accounts, to have been as genuinely charming, and stylish, and wistful, and kindhearted as she appears on-screen. Of course, life wasn't always kind. There were two divorces, miscarriages, professional disappointments, and unsettled memories from her childhood in wartime Holland. But mostly, she enjoyed herself well enough, playing mother to her children and a succession of adored dogs, tending her own garden in her Swiss retreat, and doing good-will work for UNICEF. Movies were all right as far as they went, and though she made a few classics such as Funny Face and Breakfast at Tiffany's, she had no overwhelming passion for them (like Garbo, she made only 26 films). Despite winning an Oscar for Roman Holiday, she was not a particularly gifted actress, best suited, like John Wayne, to playing versions of herself. But she had presence and style, and with the able assistance of the designer Givenchy, defined fashion for almost a generation. Whether this all adds up to an interesting biography is another question. Hepburn herself once declared, ``There's never been a helluva lot to say about me.'' Veteran Hollywood biographer Paris (Garbo, 1995, etc.) does his unlevel best to prove her wrong, but he is only partly successful. He is too much the fan, too much in awe of ``Audrey.'' Paris rarely goes even as deep as an attempt to capture the evanescence of a screen persona, preferring instead the appointment-book surety of times and places and people. Still, all the facts are in the proper places, pleasantly displayed, and easily accessible, and that's more than can be said for most show-biz bios. (b&w photos, not seen) (First serial to Vanity Fair; Book-of-the-Month Club selection)
Pub Date: Nov. 1, 1996
ISBN: 0-399-14056-5
Page Count: 464
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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