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AUDREY HEPBURN

An extended valentine to an actress we've all fallen in love with at least once. While many actors fail to live up to their publicity, Audrey Hepburn seems, by all accounts, to have been as genuinely charming, and stylish, and wistful, and kindhearted as she appears on-screen. Of course, life wasn't always kind. There were two divorces, miscarriages, professional disappointments, and unsettled memories from her childhood in wartime Holland. But mostly, she enjoyed herself well enough, playing mother to her children and a succession of adored dogs, tending her own garden in her Swiss retreat, and doing good-will work for UNICEF. Movies were all right as far as they went, and though she made a few classics such as Funny Face and Breakfast at Tiffany's, she had no overwhelming passion for them (like Garbo, she made only 26 films). Despite winning an Oscar for Roman Holiday, she was not a particularly gifted actress, best suited, like John Wayne, to playing versions of herself. But she had presence and style, and with the able assistance of the designer Givenchy, defined fashion for almost a generation. Whether this all adds up to an interesting biography is another question. Hepburn herself once declared, ``There's never been a helluva lot to say about me.'' Veteran Hollywood biographer Paris (Garbo, 1995, etc.) does his unlevel best to prove her wrong, but he is only partly successful. He is too much the fan, too much in awe of ``Audrey.'' Paris rarely goes even as deep as an attempt to capture the evanescence of a screen persona, preferring instead the appointment-book surety of times and places and people. Still, all the facts are in the proper places, pleasantly displayed, and easily accessible, and that's more than can be said for most show-biz bios. (b&w photos, not seen) (First serial to Vanity Fair; Book-of-the-Month Club selection)

Pub Date: Nov. 1, 1996

ISBN: 0-399-14056-5

Page Count: 464

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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