A transgressive thriller from the author of Hey, Joe (1996), describing the troubles of a young man from the wrong side of the tracks who’s taken up by rich friends and given a brutal introduction to life in the fast lane. Drew Burke is a poor boy from New Orleans who won a scholarship and headed east to study at Johns Hopkins. There, he met Bahar Richards, and she and Drew quickly become best friends. Bahar is smart, chic—and utterly manipulative. Although her relations with Drew are not wholly platonic, she’s instrumental in hooking him up with her bisexual brother Jake, and she watches over their budding relationship with all the self-satisfaction of a confirmed matchmaker. While he finds their life of privilege easy to adapt to, Drew has to admit that he doesn—t know these people very well, and when Jake hands him a sheaf of newspaper clippings and tells him that he loves him and wants him to know all about “what happened,” Drew quickly discovers that he’s gotten into something way over his head. Apparently, years before, Jake and his friend Troy were tried for the rape and murder of Allison Myers, a poor girl from a local high school. Jake pleaded innocent and was acquitted, but there are still enough loose ends about the case to give Drew pause—especially as Bahar refuses to discuss it with him. As he tries to sort out the mystery of Allison’s death, Drew finds himself confronted with the far greater enigma of Jake and Bahar’s lives. Are they what they seem to be? And just what do they want from Drew? Soon enough, Drew discovers that his story is not one of social climbing, but sheer survival. The author’s annoying use of, like, MTV English and his Brett Easton Ellis—ish obsession with brand names (just what is the difference between a BMW 318ti and a BMW 540i?) can—t suffocate this chilling and delightfully lurid tale—though at times it’s touch-and-go. (Author tour/NPR satellite tour)
Pub Date: April 1, 1999
ISBN: 0-688-15691-6
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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