Little’s second is an improvement over her debut (Good Hair, 1996), although it’s still a watered-down Terry McMillan. Her subject matter—the lives and loves of upper-middle-class black professionals—has remained the same, but she’s tightened her focus, providing some real insight into the lives of her two very different heroines. Abra Lewis Dixon is happy with her life, or so she tells herself. Her husband Cullen is a high-roller in the world of high finance, and the fact that he’s always “out making deals” just seems to Abra like a cross she has to bear. Natasha Coleman, her best friend and business partner, is as involved as Abra in their “Is My Wig On Straight Productions” company. While Abra and Cullen grow farther apart in Manhattan and environs, however, Natasha’s getting hot and heavy in L.A. with the wildly handsome, supersuccessful Miles. And when Abra finds out about Cullen’s dalliances with a salesgirl/model, she musters up the courage to set out for California too, but not before she runs a check on Miles (a girl’s got to look out for her sisters) and learns that he’s a notorious womanizer. Natasha refuses to be warned, however, and when Miles proposes marriage she accepts immediately. Meanwhile, Abra is increasingly attracted to a director by the name of Griffin. Griffin’s problem is that he’s white; and Abra, left damaged by Cullen’s betrayal, is determined to find a man with common decency and a common culture. And so there are no happy endings here, at least of the traditional sort. Abra and Natasha will be grateful in the long run, we’re led to assume, for the dissolution of these relationships, but in present-time, the finale is downbeat and rather flat. Little has no trouble, though, with characterization, and both Abra and Natasha are likable and real; further, the women’s shared realization that they don—t need men—black or white—to define themselves rings true.
Pub Date: June 1, 1998
ISBN: 0-684-83834-6
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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