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IN PERFECT LIGHT

A vivid story about a community of scarred, deeply human souls within a callous, indifferent America.

Poignant tale of a Mexican American community in El Paso facing the legacy of child prostitution.

Poet and novelist Sáenz (The House of Forgetting, 1997) is well attuned to the plight of these very real-seeming characters: a young Mexican man, Andrés Segovia, coming to terms with having been sexually abused as a boy, is arrested in a drunken brawl and turns to the gringo pro-bono lawyer, Dave, who has gotten him out of scrapes before. When the man Andrés has beat up dies—a sex offender out on parole whom Andrés remembers raping him at age 12—Dave hands his case over to a kind of miracle-working lawyer of the underdog, Grace Delgado, a widow who has plenty of troubles of her own. At 50, she has just been diagnosed with breast cancer, although she eschews any treatment; her grown son, Mister, has married a woman Grace doesn’t like, and the two inform her they plan to adopt the child of severely dysfunctional parents, further straining relations among them all. As Grace works patiently with Andrés, his horrific story unravels: orphaned when his parents were killed in a car accident, he and his siblings tried to make a self-sufficient life for themselves, until his beloved brother, Mando, ran afoul of the law and the younger children became prey to criminals who robbed them of their youth. In brisk, short, stream-of-consciousness chapters, Sáenz keeps these several strains of the story simmering: Dave struggles with his guilty conscious while Grace, confronting her own crisis of mortality, attains a kind of religious redemption in helping Andrés, who in turn needs to find a purpose to live. Mister’s attempts at adoption of the troubled toddler convulses the plot tragically, although Sáenz saves the mess from turning into a bloodbath by carefully delineating his characters.

A vivid story about a community of scarred, deeply human souls within a callous, indifferent America.

Pub Date: Aug. 1, 2005

ISBN: 0-06-077920-9

Page Count: 336

Publisher: Rayo/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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