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THE HOUSE OF FORGETTING

Award-winning Hispanic poet and novelist S†enz (Carry Me Like Water, 1995, etc.) visits Turow and Grisham territory as he tells the melodramatic story of an abduction victim threatened by crooked lawyers and police. When Chicago cops break into Thomas Blacker's house and find Claudia Santos waiting for them while the aging Blacker lies bleeding from stab wounds, the case seems clear. Robbery or a tryst that soured seems likely, but the truth is much kinkier. Claudia refuses to speak, but feisty public prosecutor Jenny Richard soon gets her talking, and the story she tells is horrific enough to get her released into Jenny's charge. Kidnapped at the age of seven while walking down a street in her native El Paso, Claudia has been kept a prisoner—at first in shackles—in Blacker's house for 23 years. A famous author and academic, he trained her to be the idealized successor to his first wife, who died in a car accident. A cultural reactionary, he has also controlled every element of her life. Raping her when she was 18, he expected her to provide sex for him from then on. Jenny thinks she has a case, as does Lt. Alexander Murphy. But it's soon clear that Blacker has powerful friends who'll do anything to shield him: a gay friend of Jenny's is mugged, vital evidence is removed, and Claudia is stalked. Some of these elements feel overdone, and overlong: treachery and violence multiply at a dizzying rate. While Claudia struggles to cope with freedom and with her confused feelings about Blacker, Jenny and Murphy find themselves reluctantly falling in love. They manage to save Claudia from herself and to unmask the now-recovered Blacker, who has even more diabolical plans in mind. More schematic than insightful: a tale of abuse and the recovery of self that has little original to say about the psyches either of obsessed captor or of captive.

Pub Date: June 4, 1997

ISBN: 0-06-018738-7

Page Count: 352

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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