Next book

DIE LAUGHING

A clever, fast-paced, and gruesome mystery.

A quick-witted FBI agent squares off against a depraved serial killer in this debut thriller.

Special agent Benjamin Kroh’s job is to track down murderers, and he’s extremely good at it. As a member of the FBI’s Behavioral Analysis Unit, Kroh gets an assignment that takes him back to his hometown in Indiana, where the so-called Fingertip Killer has struck again. At first, the homicide looks like the work of a disgruntled ex-autoworker, but the victim’s missing fingertips link the murder to similar cases in other states. Evidence suggests a comedian on the national touring circuit could be behind the crimes, but Kroh’s instincts tell him to look twice at a too-convenient solution. The truth, it turns out, is more disturbing than he could have ever imagined. As Kroh hunts for the supposed perp, the real killer plots his next move, soon setting his sights on the agent, who seems dangerously close to unmasking him. Oneal’s novel is a solid thriller that should appeal to fans of TV series like Criminal Minds. The comedy-club circuit setting is a creative twist, though as a villain, Fingertip is no Hannibal Lecter. His over-the-top pronouncements and absurd arrogance come off as more goofy than scary. “Why can’t I just kill and be recognized for my art?” he whines at one point. Detailed descriptions of the murders may be a bit much for the squeamish, while the off-color joking the FBI agents engage in is strictly high school locker-room material. As the hero, Kroh has swagger and sex appeal, and his affair with Crystal Markum, a forensic investigator on the case, provides an excuse for several steamy bedroom scenes. But this agent’s abrasive style and tendency to consider all witnesses (and some of his co-workers) hostile make him less sympathetic. Furthermore, the book’s shallow treatment of its female characters remains off-putting; they’re almost universally “pretty” or “beautiful” and not much else. Still, the graphic story’s a true page-turner, and the final confrontation between Kroh and Fingertip provides a satisfying denouement.

A clever, fast-paced, and gruesome mystery.

Pub Date: March 3, 2017

ISBN: 978-1-4575-5452-0

Page Count: 310

Publisher: Dog Ear Publishing

Review Posted Online: May 1, 2017

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview