HAUNTINGS

AND OTHER TALES OF DANGER, LOVE, AND SOMETIMES LOSS

Readers will hum with pleasure in the afterglow of each story in this powerful collection. The first section, comprised of modern retellings of traditional Irish folktales, ballads or fragments, opens with “Tryst,” a story about a handmaid who turns midnight thief and ultimately learns the loyalty of the man she loves. (Brief backmatter offers up additional information on most stories.) The second section retains its magical quality even though the settings are familiar and mostly set in the United States. A post-9/11 tale makes its appearance with “Loose Chippings” about a family who is taking their daughter to England for a semester abroad and witnesses a bombing. Perhaps the masterpiece is “Secret Trees,” which focuses on a boy whose mother has a nervous breakdown. He tries to make sense by immersing himself in a science project in a neighboring tree grove, which itself was a science experiment. The collection is a perfect antidote to the “problem” novel, offering young readers topics that try their souls and portraits of the souls who try to help them cope. (Fiction. 10-14)

Pub Date: Aug. 1, 2007

ISBN: 978-0-06-123910-6

Page Count: 224

Publisher: Greenwillow Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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THE TEQUILA WORM

Sofia, growing up in an urban Latino neighborhood in McAllen, Texas, has a chance to attend an expensive boarding school in Austin on scholarship. Like her father, Sofia lives the life of the mind, rich with story and possibility. How can she convince her mother to let her take this opportunity? By learning to dance and showing her that she can leave home and still learn to become a good comadre. Canales, the author of the story collection Orange Candy Slices and Other Secret Tales (2001), is a graduate of Harvard Law School, suggesting that Sofia’s story at least closely parallels her own. She is an accomplished storyteller, though not yet, perhaps, a successful novelist. The episodic narrative has disconcerting leaps in time at the beginning, and a sense of completion, or a moral displayed, at several points throughout—all lacking the tension to carry the reader forward. This said, the characters and setting are so real to life that readers who connect with Sofia at the start will find many riches here, from a perspective that is still hard to find in youth literature. (Fiction. 10-14)

Pub Date: Aug. 9, 2005

ISBN: 0-385-74674-1

Page Count: 176

Publisher: Wendy Lamb/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2005

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THE BOY IN THE STRIPED PAJAMAS

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin. The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyle’s narrative; others will believe it was the wrong choice. Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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