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PROMISCUOUS UNBOUND

Relentless in its intimacy, feverish and yet clinical in its examination of love and lust: a gorgeous solitary romance.

A hospital stay and morphine drip after a horrendous accident make for an arresting, erotic reverie in this Canadian author’s first.

Who knew hospitals could make a person so horny? Narrator Vivienne Yellow is already in a Paris hospital when the story opens, after having her leg smashed in several places by a truck. Lying in a morphine-induced haze, she drifts through her life—concentrating on the sexual side of things. Only daughter to a womanizing, world-famous naturalist, Vivienne grew up on the road, trekking with her father to the far corners of the world, looking for little-known flora and fauna to catalogue and celebrate. Vivienne emulated his rootless and endlessly promiscuous life, travelling incessantly and racking up an impressive roster of lovers the world over. Things began to come apart for her, though, when she met Ralph, another well-known travelling naturalist, and fell recklessly, desperately in love. Mind, Vivienne’s marriage to another didn’t keep her from continuing her quest for new, disposable lovers; if anything, it accelerated it: “Love came hard for me and was too strange. Must have slept with twenty different men in the first few months of our marriage just to calm myself down.” But, now, the adultery fails to cure her feverish love for Ralph, and Vivienne’s furious jealousy is ignited when she realizes the extent of Ralph’s extracurricular love life. Brian whips all of these elements together and scatters them in a nonchronological fashion throughout the book, leavening Vivienne’s memories with the far-less interesting details of her relationship with wardmate Sonia, “a teenage boarding-school escapee with heart palpitations.” Even if Brian unfortunately distills Vivienne’s life down to a daughter’s clichéd chase after her father’s fleeting form, the poignancy of her language makes the story shine like something new.

Relentless in its intimacy, feverish and yet clinical in its examination of love and lust: a gorgeous solitary romance.

Pub Date: May 1, 2003

ISBN: 0-87113-873-5

Page Count: 192

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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