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HAWAIIAN REBELLIONS

From the John Tana series , Vol. 3

This third installment about a Hawaiian hero—in fact, the whole trilogy—is worth a read.

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Welcome to the wrap-up of a historical fiction series starring a 19th-century Hawaiian freedom fighter—many of the characters are back; old loves endure; and familiar hatreds flare.

Fernandez’s (Gods, Ghosts and Kahuna on Kauai, 2017, etc.) final installment of his trilogy begins with John Tana’s wife, Mahealani, being terrified by threats from the old native religion that her husband, now a Christian, scorns. It turns out that the danger is real. Mahealani and their son, JJ, are kidnapped, with the captors intending to ritually sacrifice the two. Meanwhile, John’s old friend Joe Still has returned and will be his strong ally, and the tale’s archvillain, sugar baron Robert Grant, is up to his old machinations. At the top of Grant’s agenda are the overthrow of the Hawaiian monarchy and the annexation of the islands by the United States. (Seeing John dead is also on his to-do list.) John does save Mahealani and JJ, but almost too late. Mahealani is raped before the rescue and severely traumatized; JJ, groped by a leper, contracts the disease. Rather than have JJ sent to Molakai alone, mother and son escape to Kalalau, a beautiful valley that the lepers have made their own. But there is no safety in this Eden. Meanwhile, King Kalakaua has proved to be weak and a ditherer. A native coup to replace him with his sister, Liliuokalani, fails quickly. This is just the first attempt to save the Kingdom of Hawaii; the second, final try is compromised, a debacle. In the shambles of it, John meets his old love, Leinani, and…but that would be a spoiler. On balance, this last volume of Fernandez’s trilogy is successful. The novel is bolstered by a synopsis of the series and a helpful glossary. And the author keeps the plot moving briskly and believably. But speech is sometimes stiff (“he informed John”; “together we will seek ways”). In addition, it is very hard to keep all of the names straight. No blame there, though sometimes the confusion seems a bit gratuitous. Was Robert Wilson the Robert Wilcox readers met earlier in the book? Koolau is the name of a character but sometimes seems to also refer to a place. Still, John is a well-rounded character, and the chapters with him and his grandchildren are charming and prophetic. Actions scenes are Fernandez’s forte, and he is generous with them. History is a constriction because, of course, the “haole” colonizers did win, but the broken revolutions are well-handled. A subplot deals with the tension between John’s Christianity and the native religion. He is trapped between the two worlds. Is he heading for a hard choice between the new world that he is trying to deal with and the realm (including the religion) he was born into and that will always be pulling at him? And what shape will that new order take? This conundrum is beautifully captured in the story’s final image of the stalwart protagonist.  

This third installment about a Hawaiian hero—in fact, the whole trilogy—is worth a read.

Pub Date: N/A

ISBN: 978-0-9990326-6-4

Page Count: 234

Publisher: Makani Kai Media

Review Posted Online: Oct. 30, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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