As ever, an essential barometer for spotting literary trends—and, for would-be writers, figuring out where to send the next...




The Pushcart Prize hits its 35th anniversary, and editor, literary activist and Pushcart pusher Henderson is ticked off.

That’s about 16 decades in dog years, or a century in computer years, a time long enough to note some trends and to develop a cantankerous irascibility. When he started his annual round-up of the small-press world, writes Henderson, “as now, publishing was in crisis,” with conglomerates snapping up formerly independent houses and pundits bemoaning the collapse of literary culture. Well, now things are different, he writes: “Now, our busy money folks don’t even recognize print—fake books (Kindle) and fake publishers (vanity) abound.” No e-books, presumably, for the Pushcartians, and Henderson compounds the snippiness later with outlashings at the likes of Northwestern University Press and Doubleday for various sins against the culture. But no matter; publishing may be in a state of crisis, but that seems not to have stanched the flow of manuscripts into the judges’ inboxes. As usual, the Pushcart Prize anthology turns up many of the usual suspects, the tenured MFA mafia, seasoned with young and emerging writers bursting with fresh insights. Which is to say: It’s always good to hear from warhorses such as Philip Levine (“I’m doing my feeble best to entrance you”) and Barney Rosset (“Beckett came in, tall, trench coated, and taciturn, on his way to another appointment”), but for the news-seekers, the greater pleasures in the book will be in the arrivals of writers such as Amanda Rea, who writes affectingly of her father’s efforts to make it as a country singer, and Susan McCallum-Smith, who blends offbeat family history with, of all things, episodes in philately. As is often the case, the nonfiction is fresher than the fiction, which tends to the derivative (if the accomplished derivative)—though Marilyn Chin’s subversive take on Buddhist folklore, mixing plainspun folktales with lines of the Don Rickles variety (“Leave the poor bird alone, you loser-redneck”), makes up for a lot of workshoppish sins.

As ever, an essential barometer for spotting literary trends—and, for would-be writers, figuring out where to send the next submission. And, as ever, essential, period.

Pub Date: Nov. 2, 2010

ISBN: 978-1-888889-59-8

Page Count: 580

Publisher: Pushcart

Review Posted Online: Oct. 13, 2010

Kirkus Reviews Issue: Nov. 1, 2010

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A love letter to the power of books and friendship.

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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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