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SHOOT THE MOON

Perfect for the beach.

A Beverly Hills veterinarian goes south hoping to locate the mother who gave him up for adoption—but finds himself instead investigating a murder, a cover-up, and attempts on his own life.

Evoking the closeness of small-town life in DeClare, Oklahoma (epitomized by Teeve’s Place, a combined diner and pool hall owned and run by Teeve Narjo), bestselling Letts (Where the Heart Is, 1995, etc.) begins her third outing as handsome Dr. Mark Allbright arrives in town. Mark has just learned that he is adopted and that his mother was Gaylene Narjo, from DeClare, and he now wants to confront her and ask why she didn’t want him. But Gaylene, he learns, when he introduces himself to Teeve, was murdered 30 years ago and her son Nicky Jack, then ten-months-old, disappeared and was never seen again. The murder was attributed to a well-regarded African-American, Joe Dawson, who allegedly killed himself in jail. DeClare is a politically correct mix of good guys (Native Americans, a gay lawyer, a crusading anti-Republican journalist) and bad guys (a sadistic white sheriff, O Boy Daniels, a gun-nut, bigoted teachers) that may look good but makes for a blindingly unshaded story. As Mark reads Gaylene’s diary, he learns how she dreamed of becoming an artist and how, as a native Cherokee, she was angered by the bigotry she experienced at high school. He also learns that she was pregnant when she graduated, and no one knows who was responsible. With the help of Ivey, Teeve’s single and pregnant daughter, and of lawyer Hal Duchamp, Mark begins his search for Gaylene’s killer. Some of the locals, though, including O Boy Daniels and the radio station’s Arthur McFadden, aren’t happy about Mark’s continuing presence. Still, even when someone tries to take him out, Mark is not deterred. Eventually, of course, his amateur sleuthing pays off—and he even finds someone to love.

Perfect for the beach.

Pub Date: July 1, 2004

ISBN: 0-446-52900-1

Page Count: 336

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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