First novel, by an ex-Green Beret, in which America's eagerness to cut the Colombian connection plays into the hands of the worst of the druglords—and it is up to one wiry little soldier and a tough CIA lady to stop the fiend before he owns Colombia outright. The daylight execution of a Colombian national in suburban Virginia—a terrorist act that mows down a dozen innocent American teen-agers—provokes a military response built on secret information received from Colombia's desperate president. Under orders from the Chairman of the Joint Chiefs of Staff, Special Forces Col. Mike Pike, a Vietnam hero, sends a band of Green Berets headed by tough Chief Warrant Officer Riley to Colombia to identify and eliminate a couple of big cocaine labs. The first operation works like a charm, but on the second run it becomes evident that the dopers are on to them. There is an intelligence leak, and even though the next operation is moved up and secrecy is enhanced, the effort is a disaster. Riley alone makes it out of Colombia. Ring Man, the druglord whose rivals lost their labs and incomes, appears ready to move in on the only other power in the country—a very frightened President Alegre. And the American powers that be seem to have lost their will to go to war. But Mike Pike has not given up, and Warrant Officer Riley wants very much to go back to look for survivors. So does Kate Westland, the straight-shooting CIA agent with whom Riley has become rather comfortable. Lots of gadgets, lots of guts, lots of action, but not much subtlety. The male-female bonding in battle is of interest.
Pub Date: July 1, 1991
ISBN: 0-89141-414-2
Page Count: 320
Publisher: Presidio/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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