A satisfying whodunit with a supernatural flair.
The witness protection program isn’t all it’s cracked up to be in this YA thriller.
Shana O’Sullivan is a typical teenager with an atypical life. Her father, a powerful man with strong connections to the mob, crosses the wrong guy, and the O’Sullivans of Boston barely escape an attack on their lives. Turning to the FBI for protection, Shana and her family assume false identities and take up residence in a vacant (and creepy) house in the small town of Noxhelm, California. Shana misses home and struggles to fit in with her new classmates, though she makes friends with the girl next door and even develops a crush on a cute boy. Her small successes are negated when the boy is killed at his own party and Shana is identified as the prime suspect. Her involvement in the murder case puts her family’s safety at risk, especially since Shana is being watched by an unknown stalker who threatens to reveal her secrets. Blossman (Dregs Island, 2017, etc.) successfully mixes genres in her latest novel, using a haunted house (known as Ripper House) with a violent past as an engaging backdrop for her murder mystery. While trying to identify a killer, Shana is also cohabitating with the spirit of a dead girl who seems to need something from her. The author creates a strong protagonist in the character of Shana, who is an effective vehicle for moving the plot forward. She’s a teen with relatable problems whose family history and familiarity with violence mark her as singular. It’s entertaining to watch the unflappable Shana, unfazed by guns and murder, become thoroughly unsettled by a ghost. Ripper House is both the setting and a character, though it could benefit from a more thorough exploration of its construction and history. Real-world problems, such as a troubling new drug on the streets and the ramifications of social media use, intersect with a solid supernatural storyline. Unexpected narrative twists result in a surprising ending.
A satisfying whodunit with a supernatural flair.Pub Date: Oct. 13, 2017
ISBN: 978-0-9965248-5-8
Page Count: 240
Publisher: CreateSpace
Review Posted Online: April 4, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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