by Brian Jay Jones ‧ RELEASE DATE: Dec. 6, 2016
Masterful and engaging: just what Lucas’ fans and buffs, who love the nitty-gritty of filmmaking, have been waiting for.
A sweeping, perceptive biography of the influential director.
Jones (Jim Henson: The Biography, 2013, etc.) sets the stage for this impressive biography with a short prologue set in 1976. Lucas was in the Tunisian desert starting his 84-day shoot of Star Wars. The weather was terrible, and sand got into everything. The machines, including R2-D2, wouldn’t work, and the studio was stingy with funds (at that point, Lucas pledged to always control the money). About a year before the release date, Lucas was “certain” the movie “was going to be terrible.” Jones’ extensively researched, unauthorized biography—he wasn’t able to interview key people, including Lucas—lays out in luscious detail the path Lucas took to become one of film’s most successful directors. Born in Modesto, California, in 1944, he grew up in the 1950s and loved comic books, TV serials, and building things. A mediocre, bored student in high school, he managed to get into the University of Southern California. When he discovered their film school, he “fell madly in love with [film], ate it and slept with it 24 hours a day.” He also met Francis Ford Coppola, who helped him get his student film, THX 1138, made into a movie. He also helped him make the popular American Graffiti, which provided Lucas with much-needed money. He could now focus on his “Flash Gordon thing,” Star Wars. Jones wisely eschews unnecessary plot summaries to focus on where the ideas for Lucas’ films came from and how he wrote them and how he dealt with studios and contract negotiations, funding, casting, filming, and marketing. This in-depth portrait of the “modest and audacious” Lucas, a “brilliant” and “enigmatic” technological wizard, and those who were crucial to his success—his editor wife, Marcia, Stephen Spielberg, Haskell Wexler, Garry Kurtz, John Milius, John Dykstra, Harrison Ford—is never less than fascinating.
Masterful and engaging: just what Lucas’ fans and buffs, who love the nitty-gritty of filmmaking, have been waiting for.Pub Date: Dec. 6, 2016
ISBN: 978-0-316-25744-2
Page Count: 560
Publisher: Little, Brown
Review Posted Online: Sept. 21, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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