Masterful and engaging: just what Lucas’ fans and buffs, who love the nitty-gritty of filmmaking, have been waiting for.
A sweeping, perceptive biography of the influential director.
Jones (Jim Henson: The Biography, 2013, etc.) sets the stage for this impressive biography with a short prologue set in 1976. Lucas was in the Tunisian desert starting his 84-day shoot of Star Wars. The weather was terrible, and sand got into everything. The machines, including R2-D2, wouldn’t work, and the studio was stingy with funds (at that point, Lucas pledged to always control the money). About a year before the release date, Lucas was “certain” the movie “was going to be terrible.” Jones’ extensively researched, unauthorized biography—he wasn’t able to interview key people, including Lucas—lays out in luscious detail the path Lucas took to become one of film’s most successful directors. Born in Modesto, California, in 1944, he grew up in the 1950s and loved comic books, TV serials, and building things. A mediocre, bored student in high school, he managed to get into the University of Southern California. When he discovered their film school, he “fell madly in love with [film], ate it and slept with it 24 hours a day.” He also met Francis Ford Coppola, who helped him get his student film, THX 1138, made into a movie. He also helped him make the popular American Graffiti, which provided Lucas with much-needed money. He could now focus on his “Flash Gordon thing,” Star Wars. Jones wisely eschews unnecessary plot summaries to focus on where the ideas for Lucas’ films came from and how he wrote them and how he dealt with studios and contract negotiations, funding, casting, filming, and marketing. This in-depth portrait of the “modest and audacious” Lucas, a “brilliant” and “enigmatic” technological wizard, and those who were crucial to his success—his editor wife, Marcia, Stephen Spielberg, Haskell Wexler, Garry Kurtz, John Milius, John Dykstra, Harrison Ford—is never less than fascinating.
Masterful and engaging: just what Lucas’ fans and buffs, who love the nitty-gritty of filmmaking, have been waiting for.Pub Date: Dec. 6, 2016
ISBN: 978-0-316-25744-2
Page Count: 560
Publisher: Little, Brown
Review Posted Online: Sept. 21, 2016
Kirkus Reviews Issue: Oct. 1, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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