by Brian Jay Jones ‧ RELEASE DATE: Jan. 1, 2008
A solid introduction to an interesting life, but nothing definitive about a pivotal figure in American culture.
Readable, once-over-lightly biography of “America’s first bona fide best-selling author.”
The dreamy son of a Manhattan merchant, Washington Irving (1783–1859) desultorily studied law but devoted most of his early 20s to travels financed by his indulgent older brothers and to drinking and general rowdiness with a close-knit band of pals. Their boyish high spirits, committed to paper in 1807 in a periodical called Salmagundi, won Irving local fame for his easy wit; he cemented his reputation with the gently satirical A History of New York in 1809. The death of his fiancée and a floundering brother in Liverpool sent him in 1815 to Europe, where he remained for 17 years, prompting charges from jealous rival James Fenimore Cooper that he was too busy sucking up to the European aristocracy to be a real American writer. But Irving held on to his American fans with The Sketch Book (1819–20), which contained his two most famous stories, “Rip Van Winkle” and “The Legend of Sleepy Hollow,” and later published successful books about Columbus, the Alhambra and George Washington. He was economically secure and generally revered during his final years back home in America. He had helped the youthful United States see itself as a nation through the landscapes sketched in his graceful, lightweight essays and sketches. First-time author Jones, a former political speechwriter and current policy analyst, doesn’t provide much context to explain the writer’s importance to America’s fledgling literature, and he tries a bit too hard to bring Irving up-to-date: It’s not really necessary to know that land speculation was “the nineteenth-century equivalent of dot-com ventures,” nor are Jones’s occasional references to Irving’s “possible homosexuality” substantiated by anything except warm epistolary expressions of affection that were commonplace among male friends during that period. Still, his breezy approach suits his agreeable subject, who never took himself too seriously.
A solid introduction to an interesting life, but nothing definitive about a pivotal figure in American culture.Pub Date: Jan. 1, 2008
ISBN: 978-1-55970-836-4
Page Count: 480
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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