Through it all—crisp action scenes, formula romance, and a monster story that plows forward with the momentum of a runaway...
What’s the quickest way for a D.C. correspondent’s career to take off? Being on the scene of a presidential assassination attempt—as the surrogate hero of Boston Globe columnist McGrory discovers to his cost in this breathless debut thriller.
Phoning the White House to ask a routine question about presidential pardons, Boston Record reporter Jack Flynn is taken aback to find himself invited to a round of golf with President Clayton Hutchins, then dumbfounded when Hutchins, locked in a tight election battle, invites him aboard as his press secretary. And that’s before the shots ring out on the 16th green, leaving both men wounded and Jack weighing the decision of a lifetime: Should he vault into the stratosphere by joining the unelected incumbent’s staff, or by riding his eyewitness story as far as it will take him? His reporter’s instincts push him toward the story, especially once his savvy Record colleague Steve Havlicek proves that the shooter the Secret Service killed on the links isn’t Tony Clawson, the California drifter they claim he is, and Jack realizes that the links between Clawson and right-wing survivalist groups that have been driving his reporting are nothing but plants. Even so, he still doesn’t know the identity of the phone tipster who’s been offering him encouragement or telling him, “Nothing is as it seems”; or the reason snipers and bombers keep trying to kill him; or the way the botched assassination is connected to a botched armored car robbery in Boston 20 years ago (though heads-up readers will be ahead of Jack on this last twist).
Through it all—crisp action scenes, formula romance, and a monster story that plows forward with the momentum of a runaway train—McGrory never lets you forget you’re reading about a working-stiff whose first priority is to tell the truth, legally sourced, in time for the early edition tonight and every night. (Author tour)Pub Date: Sept. 1, 2000
ISBN: 0-7434-0350-9
Page Count: 352
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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