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THE STATEMENT

A superlative political novel that, like its immediate predecessors, Lies of Silence (1990) and No Other Life (1993), blends the visceral appeal of a beautifully plotted thriller with the more complex pleasures of a thoughtful exploration of conflicting and long-lingering moral quandaries. ``The statement'' is an explanatory declaration that is to be pinned to the body of 70-year-old Pierre Brossard, a former officer in the ``Milice'' that carried out the Vichy government's WW II policy of collaboration with the Nazis, and a known murderer of Jews. This will be done, that is, if Brossard is found first by the underground Jewish group that seeks his death ``because they believe he will never be brought to trial,'' rather than by the officials in the French government who want him captured alive. But Brossard has survived for 40 years on the run, given sanctuary and tacit approval by his country's Catholic Church, and perhaps supported by highly placed collaborators like himself who could no longer be protected should his crimes come to public attention. This brilliant premise is developed with breathtaking skill, as Moore—who has few peers as a lucid explicator of convoluted narrative materials—adroitly shifts his focus among the harried Brossard (as certain of God's forgiveness as he is of his undimmed, murderous anti-Semitism), his various pursuers, and the several clerics, high and low, who have persuaded themselves that ``the Church's law of asylum supersedes . . . the laws of the civil authority.'' The novel's characterizations are deftly etched, its issues are treated with complete fairness, and the suspense is maintained until the last possible moment, when a stunning surprise confronts us on the final page. Moore here engages Graham Greene and John le CarrÇ on their own ground, producing a haunting, heartpounding literary thriller of which either would be proud. They don't write them any better than this. (Author tour)

Pub Date: June 10, 1996

ISBN: 0-525-94128-2

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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