A superlative political novel that, like its immediate predecessors, Lies of Silence (1990) and No Other Life (1993), blends the visceral appeal of a beautifully plotted thriller with the more complex pleasures of a thoughtful exploration of conflicting and long-lingering moral quandaries. ``The statement'' is an explanatory declaration that is to be pinned to the body of 70-year-old Pierre Brossard, a former officer in the ``Milice'' that carried out the Vichy government's WW II policy of collaboration with the Nazis, and a known murderer of Jews. This will be done, that is, if Brossard is found first by the underground Jewish group that seeks his death ``because they believe he will never be brought to trial,'' rather than by the officials in the French government who want him captured alive. But Brossard has survived for 40 years on the run, given sanctuary and tacit approval by his country's Catholic Church, and perhaps supported by highly placed collaborators like himself who could no longer be protected should his crimes come to public attention. This brilliant premise is developed with breathtaking skill, as Moore—who has few peers as a lucid explicator of convoluted narrative materials—adroitly shifts his focus among the harried Brossard (as certain of God's forgiveness as he is of his undimmed, murderous anti-Semitism), his various pursuers, and the several clerics, high and low, who have persuaded themselves that ``the Church's law of asylum supersedes . . . the laws of the civil authority.'' The novel's characterizations are deftly etched, its issues are treated with complete fairness, and the suspense is maintained until the last possible moment, when a stunning surprise confronts us on the final page. Moore here engages Graham Greene and John le CarrÇ on their own ground, producing a haunting, heartpounding literary thriller of which either would be proud. They don't write them any better than this. (Author tour)
Pub Date: June 10, 1996
ISBN: 0-525-94128-2
Page Count: 256
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1996
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
