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THE STATEMENT

A superlative political novel that, like its immediate predecessors, Lies of Silence (1990) and No Other Life (1993), blends the visceral appeal of a beautifully plotted thriller with the more complex pleasures of a thoughtful exploration of conflicting and long-lingering moral quandaries. ``The statement'' is an explanatory declaration that is to be pinned to the body of 70-year-old Pierre Brossard, a former officer in the ``Milice'' that carried out the Vichy government's WW II policy of collaboration with the Nazis, and a known murderer of Jews. This will be done, that is, if Brossard is found first by the underground Jewish group that seeks his death ``because they believe he will never be brought to trial,'' rather than by the officials in the French government who want him captured alive. But Brossard has survived for 40 years on the run, given sanctuary and tacit approval by his country's Catholic Church, and perhaps supported by highly placed collaborators like himself who could no longer be protected should his crimes come to public attention. This brilliant premise is developed with breathtaking skill, as Moore—who has few peers as a lucid explicator of convoluted narrative materials—adroitly shifts his focus among the harried Brossard (as certain of God's forgiveness as he is of his undimmed, murderous anti-Semitism), his various pursuers, and the several clerics, high and low, who have persuaded themselves that ``the Church's law of asylum supersedes . . . the laws of the civil authority.'' The novel's characterizations are deftly etched, its issues are treated with complete fairness, and the suspense is maintained until the last possible moment, when a stunning surprise confronts us on the final page. Moore here engages Graham Greene and John le CarrÇ on their own ground, producing a haunting, heartpounding literary thriller of which either would be proud. They don't write them any better than this. (Author tour)

Pub Date: June 10, 1996

ISBN: 0-525-94128-2

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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