Precisely observed characters, keen prose and a sure sense of how we simultaneously complicate and survive our lives make...
The pressures of the examined life reshape priorities and relationships among an expanding and contracting extended family of urban intellectuals.
Morton’s fourth novel (A Window Across the River, 2003, etc.) moves with brisk efficiency among linked subplots concerning respected literary novelist Adam Weller (63, and involved with a much younger woman), his resentful ex Eleanor (a psychologist) and their youngest child, Maud, a lecturer and Ph.D. candidate in philosophy with a history of inchoate commitments and nervous breakdowns. Maud seems to be emerging from her lifelong fragility when she falls for Samir, an Arab-American carpenter whose continuing sorrow over the death of his three-year-old daughter will be gradually assuaged after Maud informs him she’s pregnant. Eleanor, obese and depressed, stubbornly resists the chance for happiness offered by Patrick, who has spent his life as a labor activist, but reserved the energy to pursue her again, even after 40 years. Meanwhile, the wily Adam (a self-justifying careerist whose expressive egotism is reminiscent of more than one Saul Bellow character) sees an opportunity to embellish his reputation when Ruth, widow of eminent novelist (and Adam’s mentor) Isidore Cantor, produces the completed manuscript of her husband’s “unknown” novel, then dies—before anyone but Adam knows of the book’s existence. Abetted by his brazen mistress Thea (employed as an assistant to TV interviewer Charlie Rose), Adam—as usual—thrives. Others around him are less fortunate. Eleanor settles for sublimating her happiness in tending others’ needs. Maud loses one great love, gains another and—paradoxically—acquires a wisdom beyond her elders’ grasp. A philosopher to the core, she assures another afflicted soul (her wheelchair-bound confidant Ralph) that “We must imagine Sisyphus happy”; and, drawing the inevitable conclusion, accepts that “The law of life . . . is striving.”
Precisely observed characters, keen prose and a sure sense of how we simultaneously complicate and survive our lives make this one something special.Pub Date: Sept. 5, 2006
ISBN: 0-15-101192-3
Page Count: 368
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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