Always a pleasure to read for his well-drawn characters, quiet insight and dialogue that crackles with wit, Morton here...

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FLORENCE GORDON

Unexpected celebrity and long-absent family members distract a heroically cantankerous 1960s-era activist in the summer of 2009 as she reluctantly confronts the challenges of age.

Morton (Breakable You, 2006, etc.) returns to the world of writers with Florence Gordon, a feisty literary lioness of the U.S. feminist movement. At 75, she has a just-published book that’s languishing, and despite years away from the limelight, she's embarked on a memoir only to learn that her longtime editor is retiring. No matter: She treasures her solitude and “having fun trying to make the sentences come right.” Yet fame befalls her in the form of a top critic’s review of her book in the New York Times. Family matters also intrude. Her ex-husband, a vicious burned-out writer, demands that she use her contacts to get him a job. Her son and his wife are back in New York after years in Seattle. Their daughter, Emily, helps Florence with research and almost warms up the “gloriously difficult woman.” Then the matriarch’s health begins to nag her with strange symptoms. While Florence dominates the book, “each person is the center of a world,” as Emily thinks, and Morton brings each member of the small Gordon clan to life at a time when there is suddenly much to discover about their world. He’s also strewn the novel with references to books and writers and the craft itself, which is appropriate for the somewhat rarefied setting—Manhattan’s historically liberal, bookish Upper West Side, where Morton’s characters often dwell—and a treat for anyone keen on literary fiction.

Always a pleasure to read for his well-drawn characters, quiet insight and dialogue that crackles with wit, Morton here raises his own bar in all three areas. He also joins a sadly small club of male writers who have created memorable heroines.

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-30986-9

Page Count: 256

Publisher: Houghton Mifflin Harcourt

Review Posted Online: June 5, 2014

Kirkus Reviews Issue: June 15, 2014

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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