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NAKED

A CULTURAL HISTORY OF AMERICAN NUDISM

An original, well-researched study that would have benefited from a livelier writing style.

A history professor’s sweeping sociolegal examination of the American nudist movement from its early-20th-century beginnings.

Hoffman exposes the beginnings of public nudity as a legitimate movement in the United States, beginning in New York City all the way back in 1929, when groups of men began peeling off their restrictive clothing and exercising in the nude at the New York Gymnasium. This simple act of doing calisthenics in the buff set off a significant legal debate and controversy in New York, one that would continue for years with few definitive answers as to the legality of public nudity. Hoffman traces the nudist movement in America back to the efforts of German immigrants who wished to see the same principles of Teutonic Lebensreform (“life reform”) gain a foothold in the U.S., which meant touting nudism as a healthy, therapeutic activity rather than an erotic or lewd physical pursuit. Springing directly from this health-conscious nudist ideology came photo magazines such as Sunshine and Health in the 1940s, with its “highly stylized representations” of the male physique; its envelope-pushing photo shoots featuring exposed male and female genitalia set the censors reeling, namely the U.S. Post Office, which refused to distribute such imagery to the public. In order to survive, the nudist movements in America would increasingly resort to camps and cults situated away from the prying eyes of Middle America; however, the struggle to separate nudism from pornography continued. Although written in mainly flat, academic prose, Hoffman’s book ably traces the ideological development of the American nudist movement from its health-and-fitness beginnings to the more politically charged movement it became in the 1960s and 1970s, and on into the 1990s, when a quasi-mainstreaming of recreational nudity began to surface.

An original, well-researched study that would have benefited from a livelier writing style.

Pub Date: May 5, 2015

ISBN: 978-0-8147-9053-3

Page Count: 336

Publisher: New York Univ.

Review Posted Online: Feb. 28, 2015

Kirkus Reviews Issue: March 15, 2015

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A CITIZEN'S GUIDE TO BEATING DONALD TRUMP

Though cheerleading occasionally grates, Plouffe offers good fodder for readers willing to put in the effort and follow his...

Barack Obama’s former campaign manager and senior adviser weighs in on what it will take to defeat Donald Trump and repair some of the damage caused by the previous election’s “historically disturbing and perhaps democracy-destroying outcome.”

Plouffe (The Audacity To Win: The Inside Story and Lessons of Barack Obama's Historic Victory, 2009) managed Obama’s successful campaigns in 2008 and 2012. His unsurprising goal in 2020 is to take down Trump, and he provides a detailed guide for every American to become involved beyond just voting. Where the author is not offering specific suggestions for individual involvement, he engages in optimistic encouragement to put readers in the mindset to entertain his suggestions. Plouffe wisely realizes that many potential readers feel beaten down by the relentlessness of Trump’s improper behavior and misguided policies, so there is plenty of motivational exhortation that highly motivated readers might find unnecessary. When he turns to voting statistics, he’s on solid ground. Plouffe expresses certainty that Trump will face opposition from at least 65 million voters in the 2020 election. One of the author’s goals is to increase that number to somewhere between 70 and 75 million, which would be enough to win not only the popular votes for the Democratic Party nominee, but also the Electoral College by a comfortable margin. Some of that increased number can be achieved by increasing the percentage of citizens who vote, with additional gains from voters who vote for the Democratic nominee rather than symbolically supporting a third-party candidate. Plouffe also feels optimistic about persuading Obama supporters who—perhaps surprisingly—voted for Trump in 2016. As for individual involvement prior to November, the author favors direct action. Door-to-door canvassing is his favorite method, but he offers alternatives for those who cannot or will not take their opinions to the streets, including campaigning via social media. And while the author would love to change the Electoral College, he wisely tells readers they must live with it again this time around.

Though cheerleading occasionally grates, Plouffe offers good fodder for readers willing to put in the effort and follow his advice.

Pub Date: March 3, 2020

ISBN: 978-1-9848-7949-3

Page Count: 256

Publisher: Viking

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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UNFINISHED BUSINESS

NOTES OF A CHRONIC RE-READER

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.

Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Pub Date: Feb. 4, 2020

ISBN: 978-0-374-28215-8

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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