An engaging collection of sharp, lively essays.



A feminist perspective on life and art.

Early in her writing career, Gornick “stumbled on the style that was becoming known as personal journalism” and “immediately recognized it as my own.” For more than four decades, she honed that style in essays on literature, culture, New York life, and feminism, represented here by a series of pieces revised from previous publication. In “Toward a Definition of the Female Sensibility,” the author celebrates “the re-creation in women of the experiencing self that is the business of contemporary feminism. Vast internal changes must occur in women in which old responses, old habits, old emotional convictions are examined under a new light: the light of consciousness.” This new consciousness informs much of Gornick’s writing, such as her uncompromising critique of novelist James Salter, who, she asserts, was preoccupied “with wartime glory, money, and class distinction, and sex, sex, sex.” Salter depicted women not “as fellow creatures but…as the source of an enraptured virility that alone makes life worth living.” In contrast, Mary McCarthy, once one of Gornick’s favorite writers, spoke to “another kind of romance alive in us, one closer to the bone; that of seeing ourselves as New Women, independent working girls out in the world.” She chides acerbic critic Diana Trilling for spending her life “declaring that she was her own separate self” but never imagining herself “except in relation to her husband,” Lionel. While most essays on literature and culture focus on canonical figures (Melville, Primo Levi, Hannah Arendt, Edna St. Vincent Millay, Rachel Carson), Gornick pays homage to lesser-known Black writer Kathleen Collins, whose voice, “black, urban, unmistakably rooted in lived experience,” acutely conveyed “what it was like to be living inside that complex identity…the way Grace Paley used her New York Jewishness, to explore the astonishment of human existence”—an astonishment that Gornick shares.

An engaging collection of sharp, lively essays.

Pub Date: March 16, 2021

ISBN: 978-1-78873-977-1

Page Count: 304

Publisher: Verso

Review Posted Online: Dec. 29, 2020

Kirkus Reviews Issue: Feb. 1, 2021

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

A conversational, pleasurable look into McConaughey’s life and thought.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?