Next book

THE ODD WOMAN AND THE CITY

A MEMOIR

A gentle, rueful, thoughtful memoir.

Life inspired by the buzzing humanity of a great city.

Gornick (Emma Goldman, 2011, etc.) takes her title from George Gissing's novel The Odd Women (1893), about a “darkly handsome, high intelligent, uncompromising” woman who scorns “what she calls the slavery of love and marriage.” Courted by a man who respects and excites her, she insists on independence, fears her own emotions and retreats from their relationship. Like Gornick, a “raging” feminist in the 1970s, Gissing’s heroine “becomes a walking embodiment of the gap between theory and practice: the place in which so many of us have found ourselves, time and again.” Regret, anxiety and nostalgia inform this finely crafted memoir, built of fragmentary reflections on friendship, love, desire and the richness of living in New York. For the author, New York is a city of melancholy, peopled by “eternal groundlings who wander these mean and marvelous streets in search of a self reflected back in the eye of the stranger.” At times, she walks more than six miles per day, daydreaming, observing and trying to “dispel afternoon depression.” She interacts with beggars and shopkeepers, overhears snatches of conversation and revels in a city that she admits to romanticizing. “If you’ve grown up in New York,” she writes, “your life is an archaeology not of structures, but of voices, also piled one on top of another, also not really replacing one another.” Gornick chronicles ephemeral relationships and thwarted love affairs and, in particular, her friendship with Leonard, a gay man who, like Gornick, has “a penchant for the negative.” They meet weekly, unfailingly, “to give each other border reports.” Her friendship with Leonard leads her to consider Henry James’ relationship with Constance Fenimore Woolson, “a woman of taste and judgment whose self-divisions mirrored his own.”

A gentle, rueful, thoughtful memoir.

Pub Date: May 19, 2015

ISBN: 978-0-374-29860-9

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 4, 2015

Kirkus Reviews Issue: Feb. 15, 2015

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
Next book

INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

Close Quickview