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DISPLACED

From the Birthright series , Vol. 1

A fast-moving, engaging tale in what promises to be an epic fantasy romance series.

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A superhuman teen heiress must survive first love and her twin sister’s homicidal ambitions in this novel.

Seventeen-year-old Chancery Alamecha is an evian, a member of a genetically pure race in which humans are a corrupted subset. Evians can live for up to a millennium. They are faster and stronger than humans and can heal themselves from all but the most severe injuries. Chancery’s mother is almost nine centuries old and is ruler of one of the six evian families, to which human leaders pay obeisance. Evian succession defaults to the youngest daughter—in the case of the Alamecha family, Chancery’s twin sister, Judica. Chancery and Judica look alike but have very different personalities. Whereas Chancery is compassionate, Judica is cold and cruel. While Chancery daydreams about living in the human world, Judica trains in single combat (the evian way of settling disputes) and remains consumed by hatred for her sister. The protagonist has no ambition, but when her mother is murdered, having just changed her heirship document to name Chancery, everything changes. More than ever, Judica wants Chancery dead. Chancery must face her in a duel to the death or live forever in exile. She has 10 days to decide. She chooses to spend this time in New York, training with Edam, Judica’s former bodyguard, for whom Chancery has more than a crush, and attending a human school, where she meets Noah Wen, the debonair youngest son of a Chinese magnate. Will Chancery return to face certain death at the hands of her sister? And who will win her heart, Edam or Noah? In this fantasy romance series opener, Baker (Finding Liberty, 2019, etc.) writes simply but effectively in the first person, present tense. The evian world is immediately compelling, emerging naturally from the story and offering some nice points of difference from the more standard fantasy fare of elves and vampires. Chancery is a relatable protagonist, and the other characters remain distinct without drawing too much from stock types. The genre mix is not without issue—for some, the romance and fantasy intrigue will make uneasy bedfellows—but nonetheless the story swiftly progresses, deftly playing to the escapism desired by YA and new-adult readers.

A fast-moving, engaging tale in what promises to be an epic fantasy romance series.

Pub Date: Oct. 11, 2019

ISBN: 978-1-949655-14-8

Page Count: 490

Publisher: Purple Puppy Publishing

Review Posted Online: Dec. 10, 2019

Kirkus Reviews Issue: Feb. 1, 2020

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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