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SINCE I LAID MY BURDEN DOWN

A complex, sometimes overly frenetic, look at one man’s experience of being black, queer, smart, soft, tough, artistic, and...

Sex, drugs, punk rock, and Sunday sermons.

When DeShawn takes leave of his fast life in San Francisco and returns to his rural Alabama hometown, he finds time to slow down and contemplate his past and the many men—fathers, lovers, and friends—who have made him who he is. Purnell’s debut novel (Johnny Would You Love Me If My Dick Were Bigger?, 2015, etc.) is structured as a series of flashbacks to DeShawn’s childhood and young adulthood, which is peopled with an abusive stepdad, a feuding mother and grandmother, and kids who share his love of 1990s punk music, partying, and sexual experimentation. Sex and self-fashioning are at the heart of this narrative, and the novel is refreshingly frank about desires both normalized and taboo. DeShawn, whose queerness becomes obvious to his family and community early on, must navigate sexual interactions with kids his own age and the leering adult clergy and teachers whose own desires are warped into power trips (DeShawn “marveled at how much of his young adult life was spent in a room getting spanked by a dirty old white man”). DeShawn’s path of sexual discovery is linked to his discovery of self, and as his story unfolds, questions of who, and how, to love become more clearly articulated. DeShawn is a wild child, but he is also an uncle, a nephew, a son, and a community member. Purnell treats his subjects with a heavy dose of dry humor, as when DeShawn’s “fag-loving aunt” gives him a handful of Klonopin after a funeral and tells him “Don’t overdose, bitch.” The novel’s style is messy, and DeShawn’s inner dialogue doesn’t always provide much depth. But DeShawn’s story, like any honest story, is a messy one and, for all its rough edges, entertaining.

A complex, sometimes overly frenetic, look at one man’s experience of being black, queer, smart, soft, tough, artistic, and constantly in motion between rural and urban cultures.

Pub Date: June 13, 2017

ISBN: 978-1-55861-431-4

Page Count: 152

Publisher: Feminist Press

Review Posted Online: March 20, 2017

Kirkus Reviews Issue: April 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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