A sensitive depiction of the power of both love and land.
A standoff between a rancher and the government—dead-set on seizing his herd of cattle—spirals dangerously toward a violent confrontation in this debut novel.
For decades, the Bureau of Land Management has been increasing the limits on grazing rights in Nevada, supposedly motivated by issues of environmental protection. Harlan Hale, a rancher all his life with more than a thousand head of cattle, stubbornly refuses to comply, defiantly citing his constitutional rights. Will Bearfoot, who works for the BLM, is ordered by his boss to return to the Midas Range—he grew up there—and convince Harlan to relent before the government is compelled to take more aggressive action. But when Will arrives, the area is a virtual tinderbox of conflict. The supervising BLM agent, Elmer England, died as the result of a chimney fire, though some suspect foul play was at work. A fire is started at the BLM office—a message of warning—and then a BLM official shoots and kills one of Harlan’s bulls, provoking a possible escalation of reprisals. Then a BLM official is jumped by masked men and mercilessly beaten, and Will’s father, Rodney, is badly injured when a bomb explodes in Will’s truck. Meanwhile, Will deals with the awkwardness of his reunion with Jordan, the wife of John Henry, Harlan’s eldest son. They were in love with each other once, but Will was accused and convicted of grand larceny, a felony that ruined their relationship, ended his dream of attending college, and inspired him to skip town. Borgos seamlessly braids several intersecting plotlines into a unified tapestry, artfully capturing the way the traumas of the past intransigently grip the present. The writing is plain and even folksy, allowing the characters to powerfully speak for themselves. Jordan, in particular, emerges as a profoundly complex character, struggling to reconcile her attraction to Will, which comes unbidden but not entirely unwelcome. Finally, this isn’t a proselytizing manifesto for either governmental process or libertarian freedom—Borgos’ portrayals are far too nuanced to fall into the trap of ideological partisanship.
A sensitive depiction of the power of both love and land.Pub Date: May 3, 2016
ISBN: 978-0-9975726-1-2
Page Count: 280
Publisher: CreateSpace
Review Posted Online: Oct. 20, 2017
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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