Lucas’ novel, Part 1 in a three-part series, tells of a young woman’s coming-of-age in the 1960s.
Kristine Harmon may be young, beautiful and quick with a gun (due to frequent hunting and shooting range trips with her father), but her small-town life is far from easy. With a controlling father who regularly rapes her and a largely indifferent mother, Kristine’s existence is a nightmare. As one character puts it, “Her father is crazy and her mother doesn’t seem to give a shit.” However, when fellow high school marching band member Daniel steps into the picture, Kristine’s lonely suffering begins to diminish. Daniel may not be as smart or athletic as many of the boys in the town of New Castle, but he’s kind and gentle with Kristine. As the two build a relationship together, Kristine’s father becomes outraged; as the respected local police chief, he’s free to express his outrage in any way he sees fit. What can a poor boy like Daniel—with his hardworking mother and his shellshocked father—do against a villain as powerful as Kristine’s father? How will Kristine survive the torment and, judging by the number of guns in circulation in this small town, the violence that is to follow? Successful in creating a truly menacing antagonist, the novel takes a serious angle on the woes of being a teenager. Kristine’s father is, after all, not merely manipulative; he’s legitimately evil. Kristine’s survival provides an intriguing conflict that calls for both external support and inner strength. Dipping occasionally into high school clichés—“We just started dating and I like you very much. I don’t know if I could stand to leave you at the end of the summer”—the novel culminates in a bloody scene that hardly spells the end of Kristine’s troubles. Readers will be eager to see how one teenage girl’s unimaginable situation turns out.
Engaging teen turmoil that only rarely slips into cliché.
Pub Date: May 16, 2012
ISBN: 978-1477434901
Page Count: 226
Publisher: CreateSpace
Review Posted Online: Aug. 11, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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