While some portions lack literary zeal, this book still delivers a highly entertaining Viking adventure.
This third installment of a historical fiction series focuses on a bold Viking’s daunting mission in the 11th century C.E.
Having come a long way from his native Iceland in the first two volumes in this series (in escapades that included becoming enslaved by a murderous sorceress and serving as the personal poet of a Norwegian prince), Viking Odd Tangle-Hair in Book 3 lands in a most unexpected place: Constantinople. Known as Miklagard (“Big Town”) to the Norse, Constantinople teems with a number of competing interests. Posing as a Grand Prince of Rus, Odd plans to find and murder his former master, Harald Sigurdsson. Though it may seem like a simple enough task, Harald is a high-ranking member of the emperor’s Varangian Guard, an elite unit of the Byzantine Army composed largely of Norsemen. While locating Harald may be easy, disposing of him is an entirely different matter. Add in the politics and eccentricities of life in the Big Town and Odd’s scheme seems nearly impossible. Take Empress Zoe, for example, a most seductive and peculiar woman who seems to love nothing more than making perfume. Certainly volumes could be devoted to her motivations; however, she is just one of the many characters competing in this world of powerful eunuchs, mad rulers, and gut-wrenching punishments (why bother with execution when one can cut off the ears and nose of a rival prior to banishing him?). Thoroughly effective at explaining the intriguing and highly complex circumstances of the time period, MacBain’s (The Ice Queen, 2015, etc.) book shines in a way that only historical fiction can. Who needs King Jon Snow in Game of Thrones when one can get a glimpse of the historically real and undeniably sinister John the Guardian of Orphans? Even the most terrifying dragon pales in comparison to the sheer horror of a society so comfortable with castration. As the story ventures outside of Constantinople, the reader is treated to a plot that can only be described as epic. Though Odd’s love of a crafty young woman can create some saccharine moments (“I will always, always come back,” he vows), what would a well-rounded saga be without statements of devotion? Quick and violent throughout, Odd’s journey moves steadily until the very last page.
While some portions lack literary zeal, this book still delivers a highly entertaining Viking adventure.Pub Date: Nov. 29, 2016
ISBN: 978-1-943075-24-9
Page Count: 358
Publisher: Blank Slate Press
Review Posted Online: Sept. 14, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
PROFILES
SEEN & HEARD
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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