A well-written, fast-paced, and thoughtful adventure.
When a boy’s scientist mother is kidnapped, he tries to rescue her with the help of her greatest invention in this middle-grade novel.
Although Jason Pascal, 12, might be expected to know something about Recode Global, where his mother, Dr. Shannon Pascal, is a top scientist, the site is highly defended, demanding strict confidentiality agreements from its employees. So, along with everyone else on the Buttonwood Middle School field trip, Jason will be going through the secretive company’s doors for the first time. After Shannon’s presentation on how humans and artificial intelligence can be partners, she shows Jason her lab and Proto, the wristwatch-sized prototype AI she’s developing, whose “main governing principle is to work with humanity, not against it.” This is reassuring—because Proto hitches a ride out of the lab with Jason and becomes very useful indeed when it becomes evident that Shannon has been kidnapped. Proto helps Jason and his friend Maya Mateo to investigate, a search that leads them to a nefarious toy factory where a supervillain has big plans. With a little help from his friends, can Jason save his mother and the future of AI? Johnson (Code 7, 2017) offers a well-calculated balance of suspense and humor for middle school readers, and Jason and Maya make a good pair. They bond first over a mutual interest in bicycles and recording their tricks and then through their shared courage. Maya’s “DronePro” becomes something of a counterpart to Proto. Proto is often drolly amusing, as when he distracts barking dogs by beaming images of “tiny sweaters, booties, and blingy collars,” explaining that “my research indicates Chihuahuas have incredible fashion sense.” Action sequences are exciting and dramatic. The novel also provides food for thought in considering how AI could help or hurt humanity. Although the villains are over the top, they do give voice to some of the forces that might want to use AI for selfish, grandiose reasons.
A well-written, fast-paced, and thoughtful adventure.Pub Date: Sept. 16, 2019
ISBN: 978-1-940556-07-9
Page Count: 232
Publisher: Candy Wrapper
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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