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A leisurely opening is mere preparation for the fierce struggle to follow—and it’s more than worth the wait.

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A college student’s visions may be effective in a battle against demons in Baldwin’s (Fathers House, 2013) supernatural thriller.

Nineteen-year-old Kallie Hunt has been waking up most mornings with a strange sense of déjà vu. These feelings are so disturbing that she seeks help from the Rev. Johnny Swag. Swag, who belongs to the Alliance of Initiates, a secret subset of the United Religions Organizations, suspects that Kallie is a Rememberer—someone with an ability to see “past life cycles.” The A.I. uses a Rememberer to thwart terrorist attacks before they happen, but one has gone rogue, taunting the A.I. by mutilating the bodies of terrorists that a Rememberer has already killed and leaving behind cryptic messages. The Rogue, however, may be planning something that’s far worse than a potential terrorist strike. The first half of the novel feels muted, consisting mostly of lengthy exposition. But these scenes ultimately prove crucial to the plot, as many delve into weighty concepts such as time-cycles and eternal return—essentially that time is circular and a Rememberer is literally remembering, not necessarily seeing the future. While the first part is restrained, readers will welcome the unleashed latter half, even if it seems to come from nowhere. Characters, for instance, face off against demons, are besieged by demonic possessions, and launch a rescue attempt. Kallie is a fervent protagonist with an intriguing background; she lost her mother to cancer the year before and is estranged from her father. Her relationship with love interest Seth is sufficient if not predictable, but the standout among supporting characters is Immigration and Customs Enforcement Special Agent Dennard Bennett. He, like Kallie, has experienced loss—his wife and two daughters died in a plane crash— and watching his progress from investigating a simple murder case to an all-out demon war is, in many ways, more riveting than Kallie’s gradual revelation.

A leisurely opening is mere preparation for the fierce struggle to follow—and it’s more than worth the wait.

Pub Date: April 22, 2015

ISBN: 978-0692356760

Page Count: -

Publisher: Ink-Stone Publishing

Review Posted Online: Feb. 11, 2015

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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