by Caitlin Doughty ‧ RELEASE DATE: Sept. 15, 2014
A witty, wise and mordantly wise-cracking memoir and examination of the American way of death.
A 20-something’s account of her life as a professional mortician.
Doughty's fascination with death began in childhood, but it wasn’t until she got to college that she dropped all pretenses of “normality and began to explore “all aspects of mortality” through her work in medieval history. Intellectual exposure to death and the human rituals associated with it eventually led to a decision to pursue a career as an undertaker. With an honesty that at times borders on unnerving, Doughty describes her experiences tending to dead people that, through her colorful characterizations, come to life on the page to become more than just anonymous stiffs. The author offers an intimate view of not just the mechanics of how corpses are treated and disposed, but also of the way Americans have come to treat both death and the dead. Throughout the last century, the rise of hospitals and displacement of homes as centers of life and death sanitized mortality while taking it out of public consciousness. “[T]he dying,” writes Doughty, “could undergo the indignities of death without offending the sensibilities of the living.” In the vein of Jessica Mitford, Doughty also casts a critical eye on the funeral industry and how it has attempted to “prettify” death for the public through cosmetic excesses like embalming. Yet unlike Mitford before her, Doughty reveals that what the public is ultimately getting cheated out of is not money, but a real and wholesome experience with death. For the author, the way forward to a healthier relationship with the end-of-life experience is to reclaim "the process of dying” by ending the ignorance and fear attached to it. Death is not the enemy of life but rather its much-maligned and misunderstood ally.
A witty, wise and mordantly wise-cracking memoir and examination of the American way of death.Pub Date: Sept. 15, 2014
ISBN: 978-0-393-24023-8
Page Count: 256
Publisher: Norton
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
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PROFILES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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