An absorbing, emotionally raw confessional memoir.
Growing up in the Church of Jesus Christ of Latter-day Saints, a woman wrestles with faith, family, and her own mind.
Poet, essayist, and fiction writer Myer was shaped by “the limited characters available to women in Mormonism: fallen woman or wife.” In her starkly revealing debut memoir, she recounts her struggle to define herself beyond those two roles, which, she came to realize, were “only a highly concentrated version of America.” Even outside of her religion, she was expected “to be the dentist’s wife, the artist’s wife, the killer’s wife: whoever I hook myself to stains me with his choices.” Her struggle was intensified by her family. Her bipolar mother retreated into depression, which Myer later understood to be rage turned inward; her father protected his wife from their children, leaving Myer feeling abandoned. Molested by a teenage cousin when she was 7, at 12, she encouraged the physical attentions of a 15-year-old neighbor, let the paperboy “(sin sin sin) feel my breasts,” and suffered a sexual assault by a 26-year-old man. That traumatic experience didn’t stop her from going to a man’s hotel room when she was “maybe thirteen….We keep our clothes on, mostly.” Myer calls these encounters “wiving.” As she writes, “I have been wiving since I was a little girl. I am good at wiving. I fail at wiving. Both are true.” Seeing a man happy “will light me up all my life, no matter how many times it is the exact wrong thing to do, the wrong man to cheer.” That is her job, as written in the Scriptures: “and if you are to be good at it, you have to start practicing early.” Promiscuousness also assuaged a fear that she was unlovable, “that, without another person to see me, I disappear, I cease to matter.” Myer recounts in candid detail her process of self-discovery and eventual, hard-won empowerment.
An absorbing, emotionally raw confessional memoir.Pub Date: July 21, 2020
ISBN: 978-1-950691-47-0
Page Count: 264
Publisher: Arcade
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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