A thought-provoking prediction of where constant misinformation can eventually lead.
Rocke’s (A Twilight in the Morning, 2014) speculative series starter takes a dark look at a world of “fake news.”
In this volume set in the near future, Josh Cunningham is an investigator for the truth-verification division of an organization known as SEH. His job: to determine the origins of major news stories. As the novel opens, he’s assigned to look into the murder-suicide of a Canadian man who was supposedly infected with “The Disease,” the latest rumored global pandemic. However, try as he might, Josh can’t explain away the outbreak as a mere fabrication. While following up on another Disease-related suicide in Savannah, Georgia, he meets Jim Burillo, who offers his own conspiracy theories on the brewing epidemic. Josh then contacts his old classmate, research chemist Luke Baer, who won’t admit to what he knows about a suspicious group known only as CDV. Along the way, Josh’s division gets shut down, and some people whom he knows either die or disappear. Then Josh himself is abducted, and his kidnappers get him hooked on a new drug. As the Disease spreads, global panic sets in. Events come to a head as the book ends, but the conclusion offers little resolution. Some readers may wish that the author had wrapped up a few more plotlines in such a dense novel, and the fact that it takes nearly 400 pages to reveal the conspiracy behind the Disease is disappointing. Still, Rocke’s vigorous pace makes the volume seem shorter than it is, and it offers an important examination of what happens to the truth in a world full of fakery. When the average citizen believes in nothing, the book warns, it allows people in power to drive narratives as they see fit. Rocke also presents fully developed characters in Josh, Luke, and Jim, although the villains’ motivations are less clear—as they should be.
A thought-provoking prediction of where constant misinformation can eventually lead.Pub Date: Jan. 30, 2020
ISBN: 978-1-68433-420-9
Page Count: 384
Publisher: Black Rose Writing
Review Posted Online: Jan. 22, 2020
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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