A sweet memorialization of a real-life female business pioneer in San Antonio.
Di Maio’s (The Beautiful Strangers, 2019, etc.) take on a shocking American drama pleasantly blends romance and historical fiction inspired by the true story of a Texas brewing tycoon and his wife.
The year is 1942, and Americans are suffering from the effects of World War II. Nineteen-year-old Mabel Hartley has lost both of her brothers overseas, and her father—widowed, alcoholic, and deeply depressed—can’t support her, so she lives on her own and works as a secretary in Baltimore. Desperate for a new start, Mabel answers an alluring newspaper ad for “An aspiring female writer who is interested in recording the story that an old woman would like to tell.” From hundreds of applicants, she is chosen to travel to San Antonio to work for 83-year-old Emma Koehler, renowned businesswoman and wealthy widow of German-born Otto Koehler. The two of them become close as Mabel takes dictation from Emma, who shares the story of her tumultuous marriage, a disastrous automobile accident, and her fierce love for the Pearl Brewing company, which she led through Prohibition. Emma even shares the details of her husband’s scandalous death in the presence of his two mistresses, both nurses in the Koehler employ and both also named Emma. However, the defining attributes of her life are the drive and the acumen with which she’s steered her business, and Mabel takes an empowering message from her story. Meanwhile, living at the Koehler mansion brings her into the orbit of her employer’s extended family, and romance blossoms between Mabel and one of Emma’s young, male relatives. Mabel is a good-natured and resilient, if somewhat naïve, heroine. Her perspective offers interesting insights into the challenges of the period, such as wartime rationing and the prejudice against those of German descent. Despite the grim subject matter, the story is more lighthearted than many World War II accounts. Di Maio’s spirited writing carries the reader quickly through the narrative. The two storylines, alternating between Mabel’s perspective and Emma’s recollections, balance each other well.
A sweet memorialization of a real-life female business pioneer in San Antonio.Pub Date: May 5, 2020
ISBN: 978-1-948018-76-0
Page Count: 326
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: Jan. 28, 2020
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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