A thoughtful account of early-20th-century racial tensions weighed down by clumsy moralizing.
In a novel set in 1918, a schoolteacher in Georgia clashes with powerful racial prejudice fomented by the Ku Klux Klan.
Anne Aletha O’Quinn’s beloved uncle, Carter Irving, dies and leaves her his farmhouse in Ray’s Mill, Georgia, to start her own school. She’s a cerebral woman with a “solitary nature” and tends to find solace in books rather than people. When she arrives, she’s astonished by the malicious bigotry she sees as well as by the powerfully influential presence of the Ku Klux Klan, welcomed by many for their defense of traditional Southern values since the stormy days of Reconstruction. Even the local religious leaders—Anne Aletha chafes at their hypocrisy and has “stomached enough sermons on sin and perdition to last a lifetime”—hail the Klan members as heroes. Racial tensions run particularly high in Ray’s Mill after a black man is accused of murdering a white man and two black farmhands are lynched by an angry mob. Anne Aletha quickly distinguishes herself as a progressive dissenter: She not only disdains racial bias, but also advocates for the education of black children and plans to provide deeded land to Alex and Nellie, two of her of black tenants. Debut author Wright intelligently chronicles this tempestuous time in American history, including the ramifications of World War I, the women’s suffrage movement, and the deadly spread of the 1918 influenza pandemic; for such a short novel, it is generously overstuffed with historical significance. The author’s writing is unfailingly lucid and filled with literary allusions, though her tendency is to lean too heavily on melodramatic sermonizing: “Was the whole world chained to its ignorance?” Wright’s depiction of the South, though, is as personally intimate as it is rigorous—she spent summers in Ray’s Mill as a child and based her story partly on love letters she serendipitously stumbled upon. Anne Aletha ultimately emerges as a memorable heroine—she displays a remarkable mix of intellectual depth and a courageous readiness to act boldly.
A thoughtful account of early-20th-century racial tensions weighed down by clumsy moralizing.Pub Date: April 25, 2020
ISBN: 978-1-64066-082-3
Page Count: 242
Publisher: Ardent Writer Press, LLC
Review Posted Online: Feb. 13, 2020
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
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