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ANNE ALETHA

A thoughtful account of early-20th-century racial tensions weighed down by clumsy moralizing.

In a novel set in 1918, a schoolteacher in Georgia clashes with powerful racial prejudice fomented by the Ku Klux Klan. 

Anne Aletha O’Quinn’s beloved uncle, Carter Irving, dies and leaves her his farmhouse in Ray’s Mill, Georgia, to start her own school. She’s a cerebral woman with a “solitary nature” and tends to find solace in books rather than people. When she arrives, she’s astonished by the malicious bigotry she sees as well as by the powerfully influential presence of the Ku Klux Klan, welcomed by many for their defense of traditional Southern values since the stormy days of Reconstruction. Even the local religious leaders—Anne Aletha chafes at their hypocrisy and has “stomached enough sermons on sin and perdition to last a lifetime”—hail the Klan members as heroes. Racial tensions run particularly high in Ray’s Mill after a black man is accused of murdering a white man and two black farmhands are lynched by an angry mob. Anne Aletha quickly distinguishes herself as a progressive dissenter: She not only disdains racial bias, but also advocates for the education of black children and plans to provide deeded land to Alex and Nellie, two of her of black tenants. Debut author Wright intelligently chronicles this tempestuous time in American history, including the ramifications of World War I, the women’s suffrage movement, and the deadly spread of the 1918 influenza pandemic; for such a short novel, it is generously overstuffed with historical significance. The author’s writing is unfailingly lucid and filled with literary allusions, though her tendency is to lean too heavily on melodramatic sermonizing: “Was the whole world chained to its ignorance?” Wright’s depiction of the South, though, is as personally intimate as it is rigorous—she spent summers in Ray’s Mill as a child and based her story partly on love letters she serendipitously stumbled upon. Anne Aletha ultimately emerges as a memorable heroine—she displays a remarkable mix of intellectual depth and a courageous readiness to act boldly. 

A thoughtful account of early-20th-century racial tensions weighed down by clumsy moralizing. 

Pub Date: April 25, 2020

ISBN: 978-1-64066-082-3

Page Count: 242

Publisher: Ardent Writer Press, LLC

Review Posted Online: Feb. 13, 2020

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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