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THE ASSISTANTS

Don’t think too hard about this one—just enjoy the sweetness of plotting revenge over cocktails (expensed, of course)....

Attention readers fed up with your jobs: call in sick tomorrow and dive into this debut crackling with the energy of handfuls of underpaid, underappreciated, tired-as-heck assistants hungry for what’s owed them.

Tina Fontana is a 30-year-old NYU graduate and executive assistant to billionaire Robert Barlow, CEO of major media company Titan Corporation. She knows the most intimate details of Robert’s life, saving the day for him constantly, and yet she’s stuck living paycheck to paycheck. What’s happened to her? How does she work so hard and never rise above being an assistant while the men around her make fortunes? The answer to Tina’s problems shows up in the form of an expense report. When she’s mistakenly reimbursed for a significantly large sum, she struggles with whether to report the error. For her, this could mean starting over debt free: “I could have savings….All at once I would become less anxious and more generous.” For Titan Corporation, the sum is measly. One major theme of Perri’s debut is this: “There is so much money.” Mostly in the hands of those who don’t deserve it. When Tina decides to keep the money and pay off her student loans, she doesn’t get off scot-free. Emily Johnson, the not-so-nice accounting assistant behind all the signatures, catches her. Now she has to figure out how to pay off Emily’s loans too (oh, and become her best friend), or Tina is as good as ruined. It doesn’t take long for rumors to spread and for Tina to become a hero, the Voice of the Assistant: “I could see how beneath all the lacquer these girls were hungry,” she realizes as her mission becomes greater than herself. Perri’s writing is quippy and the pace breezy; despite all the hurdles Tina has to leap over, things go pretty smoothly. Oh, and the hot, sensitive guy in the office? On her quest to take over Titan, Tina gets him too.

Don’t think too hard about this one—just enjoy the sweetness of plotting revenge over cocktails (expensed, of course). You’ll feel better after reading, promise.

Pub Date: May 3, 2016

ISBN: 978-0-399-17254-0

Page Count: 288

Publisher: Putnam

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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