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THE ASSISTANTS

Don’t think too hard about this one—just enjoy the sweetness of plotting revenge over cocktails (expensed, of course)....

Attention readers fed up with your jobs: call in sick tomorrow and dive into this debut crackling with the energy of handfuls of underpaid, underappreciated, tired-as-heck assistants hungry for what’s owed them.

Tina Fontana is a 30-year-old NYU graduate and executive assistant to billionaire Robert Barlow, CEO of major media company Titan Corporation. She knows the most intimate details of Robert’s life, saving the day for him constantly, and yet she’s stuck living paycheck to paycheck. What’s happened to her? How does she work so hard and never rise above being an assistant while the men around her make fortunes? The answer to Tina’s problems shows up in the form of an expense report. When she’s mistakenly reimbursed for a significantly large sum, she struggles with whether to report the error. For her, this could mean starting over debt free: “I could have savings….All at once I would become less anxious and more generous.” For Titan Corporation, the sum is measly. One major theme of Perri’s debut is this: “There is so much money.” Mostly in the hands of those who don’t deserve it. When Tina decides to keep the money and pay off her student loans, she doesn’t get off scot-free. Emily Johnson, the not-so-nice accounting assistant behind all the signatures, catches her. Now she has to figure out how to pay off Emily’s loans too (oh, and become her best friend), or Tina is as good as ruined. It doesn’t take long for rumors to spread and for Tina to become a hero, the Voice of the Assistant: “I could see how beneath all the lacquer these girls were hungry,” she realizes as her mission becomes greater than herself. Perri’s writing is quippy and the pace breezy; despite all the hurdles Tina has to leap over, things go pretty smoothly. Oh, and the hot, sensitive guy in the office? On her quest to take over Titan, Tina gets him too.

Don’t think too hard about this one—just enjoy the sweetness of plotting revenge over cocktails (expensed, of course). You’ll feel better after reading, promise.

Pub Date: May 3, 2016

ISBN: 978-0-399-17254-0

Page Count: 288

Publisher: Putnam

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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