More often, however, the pairings are only obfuscatory and puzzling; the collection’s scattered points of interest cannot...
Oddly surprised and invigorated by the discovery that “no anthology had focused on the theme of time in poetry,” Duffy has attempted to shore up the gap, gathering a collection of poems by 50 contemporary poets (English, Irish and Scottish), in which each was invited to submit his own favorite poem on the topic. This gives us 100 poems altogether, a reassuringly round number for what is, in fact, a very uneven collection. Such a result might have been predicted by the editor. The size of the abstraction is obviously too large: “Ever the Everest among concepts,” was how Merrill measured it in his poem “Time.” Here, the selected poems are so eclectic in their treatment of the theme that the juxtapositions, instead of stimulating, merely bewilder. Elegies and laments predominate, but they are made to cohabit with the eerie enthusiasms of Lawrence’s “New Year’s Night” and the low wit of John Agard’s “How Laughter Made the Clock Smile.” In her introduction Duffy seems resigned to the thought that her hodge-podge will not bear the stamp of any presiding intelligence, but believes this flaw more than compensated for by “the curiously catalytic process by which a poet’s choice would often reveal something new or concealed about their own work.” This is an interesting strategy if the editor can rely on the reader’s familiarity with each of the poet’s œuvre, but since most of these poets are not widely read—especially not on these shores—the gambit founders. For example, the relationship between Henry Graham’s “Mal” and his chosen poem (Rimbaud’s “Barbare”) is foggy at best. What Rimbaud’s poem has to do with Time is cloudier still. There are the occasional minor successes. To read Yeats’ hermetic quatrain “There” after the dizzying colloquialisms of Muldoon’s “As” gives the former poem a new jauntiness and unsuspected lilt.
More often, however, the pairings are only obfuscatory and puzzling; the collection’s scattered points of interest cannot redeem its wider failures.Pub Date: April 17, 2000
ISBN: 0-85646-313-2
Page Count: 160
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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