Lightweight romantic farce, often quite funny, from the British author of For Better, For Worse (2001).
Bad boy bares bum. His girlfriend’s, that is—and it’s a fine sight to see.
Emily Miller (34) was decked out in a teeny-tiny red chiffon Santa suit that left nothing, including her bountiful breasts, to the imagination. No harm in letting her darling Declan O’Donnell, boyfriend of five years, take a snap or two with his new digital camera, was there? And how amusing of him to take a black marker and scribble HO HO HO across her flawless buttocks. She never dreamed that he would post the provocative result online for every lusty lad and wheezing pensioner alive to see. Emily is famous. Too bad the headmaster at the posh school where she teaches has also seen it: the photo has been splashed all over the tabloids, along with a candid shot of her in a tattered blue bathrobe, looking like a council-housing harlot. So she’s fired, and she’s furious. But Declan secretly hopes to make money from the “Saucy Santa” and make it up to Emily somehow, since his dot-com enterprises have all turned out to be dot-bombs. Porn is about the only thing that makes money on the Web these days, so porn it will be. Classy porn. Emily, holed up with flaky girlfriend Cara, has to listen to Cara twitter on about auras and feng shui and other New Age concepts that might help heal her friend’s wounded heart. She even enlists the help of her scruffily handsome colleague, Adam, a photographer for the local Hampstead newspaper that broke the story in the first place. Cara obviously has a crush on Adam—but later, when she happens to get close to the ever-seductive Declan amidst the steam and froth of a hot tub—why, she’s positively blowing bubbles. Then Adam spies Emily across a crowded room and he’s smitten. And it looks as if Emily is smitten right back.
Lightweight romantic farce, often quite funny, from the British author of For Better, For Worse (2001).Pub Date: May 1, 2003
ISBN: 0-06-053214-9
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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